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Tag: Chicago

Javier Red’s Imagery Converter Illustrates Life Under The Umbrella

Published 12 June, 2023 By John Chacona
photocredit: Eugenio Resendiz

Pianist Javier Red was in his mid-40s and had been a working musician for years, both in his native Mexico and in the United States, when he arrived at a musical crossroads.

It happened at a workshop in 2015 with saxophonist and composer Steve Coleman at the University of Chicago. “I told Steve that I’ve got two options. I can deny everything that I saw there and keep my music flowing in a comfortable way, or I can accept that what Steve was saying is a completely new and different conception of music,” he remembered. “I said, ‘Man, what I’m losing? Nothing!’ And I decided to go that way.”

He’s still going that way on a musical and life journey that will bring Red and his Chicago quartet Imagery Converter to BOP STOP Thursday for a New Ghosts concert that will have meaning well beyond music.

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At Severance, Julian Davis Reid Examines Both Sides of The American Dream

Published 17 May, 2023 By John Chacona

Julian Davis Reid

Like many Black musicians, pianist, bandleader and theologian Julian Davis Reid paid close attention to poet and essayist Amiri Baraka’s 1963 book “Blues People: Negro Music in White America.” Reid was particularly taken with, as he told me, “this idea that Black music is a place where people in this country, Black and otherwise, rest. But at the same time, the music emerges from our sense of homelessness, of not feeling welcomed.”

Baraka was a man of action as well as of ideas, and Reid, a graduate of Yale Divinity School, took his words as a call that Reid answered in words and music with “The American Dream, the American Nightmare, and Black American Music,” which he will present Thursday at 7:30 p.m. in Reinberger Chamber Hall at Severance Music Center. as part of the Cleveland Orchestra’s weeklong Mandel Opera & Humanities Festival: The American Dream.

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A Master Improvisor Launches A New Tour With A New Band At BOP STOP

Published 13 April, 2023 By John Chacona
Lily Glick Finnegan, Ken Vandermark, Beth McDonald
Lily Glick Finnegan, Ken Vandermark, Beth McDonald

In all manner of settings, from solo concerts to large group situations, multi-instrumentalist Ken Vandermark has proven his mettle as a fearless and resourceful improvisor. So when two-fifths of his new Edition 55 band were not available to tour, he added a new piece to the remaining players and rechristened the band Edition Redux.

But the story doesn’t end there. The new player, keyboardist Erez Dessel, couldn’t make the tour’s first gig, Vandermark did the math and made 3=2+1. Call it new math or even New Addition, but any way you look at it, Saturday’s New Ghosts concert at BOP STOP—one set by drummer Lily Glick Finnegan with tubist Beth McDonald and a solo set by Vandermark—adds up to an intriguing look at the ever-dynamic Chicago scene.

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For 49 Years, Kahil El’Zabar’s Ethnic Heritage Ensemble Has Played–And Embodied–Black History

Published 30 January, 2023 By John Chacona
Ethnic Heritage Ensemble
Ethnic Heritage Ensemble: Corey Wilkes, Dr. Kahil El’Zabar, Alex Harding

One of the great consolations of hanging around the music business stage door for a long time comes when people who assume that you know things ask you questions. One of my favorites is: Which band have you seen the most times? I love this question because it gives me a chance to talk about Kahil El’Zabar’s magnificent Ethnic Heritage Ensemble, which is also my favorite band.

Now, for the first time since I moved to Cleveland in 2019, I get to talk about an upcoming concert of theirs that I will attend. It’s Wednesday, Feb. 1 at Convivium 33 Gallery, presented by the Cleveland Uncommon Sound Project and needless to say, if you’re reading this, you should go, too (full disclosure: I played a small part in making this concert happen). An Ethnics concert is never less than completely enjoyable and on any given night, it can be a transformative experience.

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