a home for my content writing, journalism and let's call this blog
Stephen Philip Harvey is a saxophonist, educator, composer, arranger, clinician, label executive, husband and son. Though he just turned 32 last Friday, you have to wonder where he gets the energy.
“I think it’s unfortunately a symptom of high functioning anxiety,” he said with a laugh that belied the sentiment. “Realistically, and emotionally,” he added, “I just really, really love music.”
Comments closed
The term “spiritual jazz” seems to be everywhere these days. It’s a label that has more value for marketers than for music fans, an empty coinage that’s more meme than meaningful. It might be easier to say what “spiritual jazz” is not, for instance the music made by pianist and composer Lynne Arriale, who comes to BOP STOP Saturday night.
Comments closed
After my freelance music gig for a newspaper in Erie, Pennsylvania had vanished in 2020 and I had moved to Cleveland, I resolved to document the local jazz scene, one that was all but ignored by media outlets in northeast Ohio. Good people making interesting music is catnip to a culture reporter, and I found a subject right away.
This was Chris Coles whose “Nine Lives” project became the first post in my documentary project covering the local scene. That was November 2021. Now, 30 months later “Nine Lives” is back for a performance Friday at Tri-C. And just like a familiar melody that is transformed by a master improvisor, Coles’ magnum opus returns reimagined as a new work.
Comments closed
One of the great pleasures of this project is the opportunity to do a weekly temperature check of the NEO scene., with a focus on live performance where it surely belongs. No performances, no scene, right?
But NEO artists have lately been as active in the studios as they are on the area’s stages and bandstands. That’s a good thing, too. Some projects have been covered here, including Work and Song, the exultant live recording by Alla Boara made at BOP STOP last July, Lucas Kadish’s Tundra, which was a big part of this entry from 2023, and the forthcoming recording laid down two weeks ago by the Third Law Collective wsg Russ Johnson, a project I profiled here. A few more will get the in-depth treatment in future posts here and at All About Jazz.
Still it’s been a while since let’s call this has called the roll on recordings, and given the spring shower of recent releases, now’s the time.
Leave a Comment
The last year or so has seen an explosion of recordings by Cleveland improvising artists such as Kent Engelhardt and Stephen Enos, Kevin Martinez’s Reclamation Band, Alla Boara, Bobby Selvaggio, TRIAD, a new project by Dominick Farinacci (more about that one soon) and a forthcoming Cleveland Jazz Orchestra anniversary release.
Into this hive of activity by established artists comes an ambitious live recording date Saturday night by a band that is scarcely more than a year old. Youthful overreach? Not when the band is the Third Law, the composers collective that is a veritable all-ages writers room for some of the most interesting large ensemble jazz being made around here.
Comments closed