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Tag: Cleveland jazz

Countdown: Where To Go & What To Hear In NEO May 23 – 29

Nehemiah Stix Baker
Nehemiah “Stix” Baker

Friendly experiencers,

If this week’s scorching temperatures didn’t already announce the fact, summer is here. Memorial Day weekend is your signal to break out the camp chairs, throw out last year’s swimwear and enjoy the increasingly less short, but always sweet summer vibe. This weekend, it’s more affordable than ever with the must-see three events spotlighted below all available to you for $20 or less. Those of us who grew up enduring Great Lakes winters have a hard time finding an excuse to be indoors once the temperatures rise. This column is here to supply you with three of the best the weekend has to offer. See you out there.

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Lynne Arriale’s Jazz Of The Spirit Comes To BOP STOP

Lynne Arriale
photocredit: Andrea Canter

The term “spiritual jazz” seems to be everywhere these days. It’s a label that has more value for marketers than for music fans, an empty coinage that’s more meme than meaningful. It might be easier to say what “spiritual jazz” is not, for instance the music made by pianist and composer Lynne Arriale, who comes to BOP STOP Saturday night.  

Arriale doesn’t employ non-Western instruments. Her favorite setting, the piano trio, couldn’t be more traditional. There are no open-ended 20-minute-long excursions on her recordings. Arriale’s songs are concise. They have memorable, singable melodies. It’s easy to envision some of them with lyrics.

Yet the titles on her latest recording, Being Human (Challenge Records, 2024), among them “Love,” Joy,” “Gratitude” and “Persistence,” read like the contents of an undiscovered session by John Coltrane. What’s going on here?

“Music to me is spiritual, and if I am writing and playing from a particular space in consciousness, then I hope this translates into people feeling spirit and heart,” Arriale said by phone from her home in Jacksonville, Florida. “I’m working on a personal level on being heartful in everything I do, including music.”

Arriale might be working on a personal level, but her motivation is broadly and generously directed to make the most expansive benefit possible. Consider her last three recordings. Chimes of Freedom (Challenge Records, 2020) was a response to the worldwide crisis of refugees and migrants seeking safety and a better life. The Lights Are Always On (Challenge Records, 2022, reviewed here) was Arriale’s response to the cataclysm of the COVID-19 pandemic.

If those two releases addressed world-changing events, Being Human can be seen as an answer to the question, “How do we deal with sorrow and inhumanity?” The answer, Arrlale suggests, is to become human, each of us, one at a time and in our own way.

Arriale doesn’t conceive of her music as an instrument of healing. “I don’t think about that,” she said. “I would just like to lighten people’s stress. I would like them to feel absorbed in the music. I would like the music to take them on a little bit of a journey, if possible, and to engage them.”

The journey Arriale takes on Being Human is an expansive one, from the strolling blues of “Soul” to the modal drive of “Persistence” to the light-footed calypso of “Joy.” The pianist wears her references–Bobo Stenson, a bit of Paul Bley and early Keith Jarrett–lightly.  Fans of the Scandinavian wing of the ECM Records stable will find a lot to like here—no surprise considering that Arriale counts herself among them.

The music she makes is approachable without being banal, melodic but not cloying, sophisticated but never abstruse.  “Music is for the heart,” she said, adding “Jazz is a complicated art form, but ultimately people don’t need to know what we’re doing. They just need to know how they feel. And if our music reaches people and they feel a range of emotions, we’ve succeeded.”

For the last two stops on her tour of the Midwest, Arriale will be joined by bassist Jeremy Allen from Bloomington, Indiana and Detroit-based drummer Sean Dobbins. “I played with Jeremy a few times and Sean for the first time maybe a year ago, and I felt a real magical connection with both of them,” the pianist said. “It felt like they were just so tuned in, great listeners and beautiful players.”

Beauty is at the center of Lynne Arriale’s musical practice. “I try to do the best I can to come from a space of wanting to reach people and wanting to connect with them to music,” she said. “That’s my goal. And if it happens, it’s beautiful.”

Lynne Arriale Trio, Sat., May 15, 8 p.m., BOP STOP, 2920 Detroit Ave., Cleveland,. Tickets $25 , available here.

NOTE: This article was written by a real human being. No artificial intelligence or generative language models were used in its creation.

Red beans and ricely yours,


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‘Nine Lives,’ Chris Coles’ Magnum Opus, Gets New Life

Chris Coles

After my freelance music gig for a newspaper in Erie, Pennsylvania had vanished in 2020 and I had moved to Cleveland, I resolved to document the local jazz scene, one that was all but ignored by media outlets in northeast Ohio. Good people making interesting music is catnip to a culture reporter, and I found a subject right away.

This was Chris Coles whose “Nine Lives” project became the first post in my documentary project covering the local scene. That was November 2021. Now, 30 months later “Nine Lives” is back for a performance Friday at Tri-C. And just like a familiar melody that is transformed by a master improvisor, Coles’ magnum opus returns reimagined as a new work.

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Dan Weiss’ Trio Even Odds Is A Sure-Thing Bet

Miguel Zenon, Matt Mitchell, Dan Weiss photo by Stephanie Ahn-Weiss

Rock, paper, scissors is perhaps the most elementary game ever devised. Yet within its narrow structure it offers endless strategic possibilities. Little wonder that the three hand gestures form the cover image of Even Odds, Dan Weiss’ terrific new release on Cygnus Records. Put it on your Bandcamp Friday wishlist and listen to the music at Even Odds’ two shows at BOP STOP Saturday night.

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Collective Action: The Third Law Collective Records Saturday

Third Law Collective

The last year or so has seen an explosion of recordings by Cleveland improvising artists such as Kent Engelhardt and Stephen Enos, Kevin Martinez’s Reclamation Band, Alla Boara, Bobby Selvaggio, TRIAD, a new project by Dominick Farinacci (more about that one soon) and a forthcoming Cleveland Jazz Orchestra anniversary release.

Into this hive of activity by established artists comes an ambitious live recording date Saturday night by a band that is scarcely more than a year old. Youthful overreach? Not when the band is the Third Law, the composers collective that is a veritable all-ages writers room for some of the most interesting large ensemble jazz being made around here.

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