Skip to content

Tag: Cleveland jazz

Guest Review: Ballister and Vandermark/Wooley/Lytton at Bop Stop

Nate Wooley                                                                                        Fred Lonberg-Holm

If you’re reading this page, it’s fair to assume that for you, creative music is life. It certainly is for me, yet sometimes life intervenes. That happened last week when a veterinary emergency demanded what little energy I had after a mad dash to the April 15 tax finish line. I was whupped, and not even the crash-cart energy of a New Ghosts double bill of Dave Rempis’ Ballister band and the trio of Ken Vandermark, Nate Wooley and Paul Lytton could rouse me to leave the house.

Fortunately, my colleague and fellow western Pennsylvanian Mike Shanley is made of sterner stuff. Not only did he make the drive from Pittsburgh, he blogged about it on his shanleyonmusic site. Mike and I have similar tastes, and if you like what you read here, his blog is well worth a follow (bless you, Mike, for enabling RSS).

Comments closed

Ghost Notes: Boston’s 13-Piece Makanda Project Lifts A Significant Composer from Obscurity

The Makanda Project
The Makanda Project
Marty Khan
Marty Khan

Among the many souvenirs of his half century as a music producer, manager, writer and activist, Marty Khan also has a collection of sculptures carved in ebony by the Makonde people of Tanzania, among them, one that resembled both Rodin’s “The Thinker” and his longtime friend and client Makanda Ken McIntyre. One bright and sunny day in June 2001, Khan picked up the phone to call McIntyre, when he heard a rumble in the mountains near his Tucson home. “It was this really deep rumble like thunder,” Khan remembered. “All of a sudden, a wind picks up that sculpture and smashes it on the floor, and the head breaks off. A half hour later we get a call from [producer] Steve Rowland, his brother-in-law, to tell us that Makanda just passed.”

It was a characteristic move for McIntyre, the composer and instrumentalist who shunned the spotlight but still projected his formidable intellect and influence on the jazz seen as an educator and mentor. Yet like the thunder in the Arizona mountains, McIntyre’s presence continues to be felt, as it will be in Cleveland Thursday when the 13-piece Makanda Project big band roars into Bop Stop playing a book of his unpublished compositions.

Comments closed

Vibraphonist Chris Dingman Brings His Journey of Healing to Cleveland’s Bop Stop

Chris Dingman

Listening to music has increasingly become a solitary, disembodied experience, these days. Yet an opposite if so far unequal reaction is rising: a new interest in music that serves a social purpose.

In the dim past, all music was social. It was used for celebration and worship, to lull children to sleep and to blunt the drudgery of hard, repetitive labor. The social music that Chris Dingman will bring to his solo concert at Cleveland’s Bop Stop on Thursday is similarly intentional yet with a somewhat different purpose: healing.

Comments closed

“Perpetual” Motion: The Venerable Organ Trio of Larry Goldings, Peter Bernstein and Bill Stewart Come to Tri-C

Larry Goldings, Peter Bernstein and Bill Stewart
Peter Bernstein, Larry Goldings and Bill Stewart

On the surface, Perpetual Pendulum, the new release by the trio of organist Larry Goldings, guitarist Peter Bernstein and drummer Bill Stewart who will appear Sunday at Tri-C follows the comfortingly familiar path established by generations of organ trios. But spend some time with this recording and a world of subtleties reveals itself.

Comments closed

Re-Birth: The Iconic Cleveland Improvising Trio Returns to the Happy Dog

Birth Josh Smith, Jeremy Bleich Joe Tomino
from left: Josh Smith, Jeremy Bleich, Joe Tomino

If you were born any time after 1975, you couldn’t avoid Jefferson Starship’s spectacularly dreadful “We Built This City on Rock ‘n’ Roll.” Even if that lyrical flex were true, it pales before the real-life exploits of the band Birth, who built the stage at one of the city’s great rock landmarks, literally. Next Saturday, the Cleveland-born band will return to that stage for the first time in many years, not with power tools, but with their instruments, for a long-overdue homecoming gig at the Happy Dog.

Comments closed