One of the highlights of a performance by Alla Boara, percussionist Anthony Taddeo’s jazz-meets-Italian-folk-music project, is “Mamma Mia Dammi Cento Lire.” It’s a musical setting of conversation between a young woman, wheedling 100 lire from her mother so that she can go to America to start a new life, and her mother who warns that if she leaves her village the feckless girl will drown when her ship sinks. All this is set to an earworm of a dancing melody. The words, brought to vivid life by Amanda Powell, a superb singing actress, have the sly worldliness and teasing insinuation of opera buffa.
Comments closedTag: Cleveland jazz
It wouldn’t be inaccurate to call pianist, composer and bandleader Mary Lou Williams the Zelig of jazz. At every crucial turn of the music’s early history, she was on the scene writing, playing and teaching many of the most pivotal figures in mid-century jazz Yet the spotlight always evaded her.
No more. The recent efforts of the jazz establishment to recognize the achievements of women yield new and long-overdue revelations of her multi-valent genius, not just in the jazz capitals of the world, but in Northeast Ohio, too. Pianist Theron Brown and the Akron Symphony Orchestra under the baton of Christopher Wilkins add to the momentum Saturday with a concert presentation of five movements from Williams’ “Zodiac Suite.”
Comments closedFor music scribblers, the first two weeks of December are what the first two weeks of April are like for normies: a time of dread and foreboding. Like Tax Day, the holiday concert season comes for us all. But this might be your thing, and if it is, there is a Santa’s bag full of delights, holiday-themed and otherwise, to unwrap in the next week. So, drink deeply of the wassail cup and be merry and bright and all that.
Comments closedTomorrow evening, Nov. 30 at BOP STOP, I’ll have the honor of presenting the Jazz Journalists Association’s 2023 Cleveland Jazz Hero Award to Gabe Pollack. To borrow the title of a great Paul Motian song, it should’ve happened a long time ago, but scheduling conflicts and my own disorganization got in the way. Oh well, it’s still 2023, isn’t it?
Rather than make a new case for this honor, I’ll refer you to the JJA’s own commemoration of Gabe’s award and repost below an appreciation I published last August. Any similarity in the language is purely coincidental.
If you’re reading this, I hope you’ll come out tomorrow night and give Gabe his well-deserved flowers. Stop by my table and say hello if you think about it. Now here’s that piece:
Word reached me late yesterday that Gabe Pollack, longtime director of Bop Stop at the Music Settlement, will be leaving the Hingetown club to become director of performing arts at the Cleveland Museum of Art (you can read CMA’s announcement here, the Settlement’s here).
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