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Tag: Cleveland Museum of Art

Stephan Crump’s Music Aims To Be Like Water

photocredit: Nathan James Leatherman

For centuries composers as varied as Handel and Hancock, Elgar and Ellington have drawn inspiration from the majesty and power of the world’s great bodies of water. Stephan Crump has been surrounded by water for nearly his entire life, but the large-scale composition he will bring to the Cleveland Museum of Art on April 24, examines the aquatic from a very different point of view.

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Tigran Hamasyan’s Manifeste Destiny

photocredit: Arnos Martirosyan

Tigran Hamasyan is a man with a foot in each of two worlds, both geographically and temporally.

“Basically, I love telling stories,” Hamasyan told me to begin our interview. “And throughout my discography, there’s this aspect that each song tells a story through music.”  It’s the kind of thing you might expect to hear from any musician, but the fact that Hamasyan said this from his home in Yerevan, Armenia, one of the oldest continuously inhabited settlements in the world, gives his comment the weight of an ancient culture steeped In stories.

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It’s been a long, cold, lonely winter . . .

Summer’s sudden arrival in northeast Ohio has everybody emerging from their deep-winter isolation and hitting the streets. Cabin fever is breaking for national and touring jazz artists, too, and they are hitting area stages en masse this week.

With so many worthwhile shows in the next seven days, I’ll offer a kind of consumer’s guide to where to go and who to hear. There’s a wide range of music on offer this week; you really can’t go wrong with any of these shows.

Countdown . . .

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Civil Disobedience Keeps The Flame Of 1960s Resistance Alive

Civil Disobedience band
Civil Disobedience (from left): Bruce Barth, David Ambrosio, Donny McCaslin, Jason Palmer, Victor Lewis (obscured)

Like many older fans, I’ve been waiting for a movement among jazz musicians to respond to the civil unrest and uprisings that have roiled the country for the last six years or so. The time seemed right for a new generation to follow the example of artists such as Archie Shepp, Max Roach and Abbey Lincoln and make strong, forthright statements decrying injustice and state-sanctioned violence.

On Friday night at BOP STOP, Civil Disobedience, a quintet assembled by bassist David Ambrosio, will keep the flame of the ’60s alive, not just rhetorically, but musically as well.

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At CMA, Guitarist Dan Bruce Makes A Mixtape While You Listen

(clockwise from top left) Jinari Kemet, Liz Bullock, Ray Flanagan, Gretchen Pleuss

Though hip-hop artists have made it a genre unto itself, the mixtape, a homemade cassette of songs, was the Spotify playlist of the 1980s and ‘90s. Mixtapes were playable, tradable declarations of musical allegiances and taste, a medium of exchange and sometimes winsome mash notes to crushes, delivering their message at 1 7/8 ips.

True, it’s hard to imagine jazz nerds assembling cassettes of favorite Maynard Ferguson cuts to give to romantic objects (harder still to imagine they had such objects). Still guitarist Dan Bruce liked the concept so much that he’s making a mixtape live and on stage by arranging songs performed by Liz Bullock, Ray Flanagan, Jinari Kemet and Gretchen Pleuss with an a-list jazz ensemble.

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