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Tag: Cleveland Uncommon Sound Project

Tim Daisy Returns To Cleveland for the World Premiere of New Ensemble Vox 4

Vox 4

There are many reasons to pursue the life of a professional musician, but doing a van tour of the Great Lakes in January is not one of them. Yet Chicago percussionist Tim Daisy could barely conceal his delight at piling in the van and driving across I-90 for a concert with his longtime pal Ken Vandermark at Convivium 33 (I previewed it here).

“t was the first time I started driving around the country since the—quote/unquote–end of the pandemic,” Daisy said by phone from Virginia where he was vacationing. “We show up, there’s a nice audience, the music goes well, there’s a beautiful vibe, and I kind of had the sense of like, “Ha! We’re back to touring. We’re back.”

The experience was so positive that on Friday, Daisy will be back at Convivium 33 for another concert presented by the Cleveland Uncommon Sound Project, this time with his exploratory chamber ensemble Vox 4.

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Solo Or In Ensemble, Brandon Lopez’s Bass Is An Uncommon Sound

Brandon Lopez-TAK Ensemble
Brandon Lopez and TAK Ensemble

Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.

Yet Brandon Lopez, with a new recording and a showcase at this weekend’s Re:Sound festival presented by the Cleveland Uncommon Sound Project, is the exception that proves the rule.

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For CUSP’s ‘Torch Songs,’ Where There’s Fire, There’s No Smoke

In the popular imagination, an evening of torch songs inevitably takes place in a smoky basement club where a singer in a velvet gown purrs songbook standards while perched on a stool as her cigarette smolders in a nearby ashtray. A half-filled rocks glass is not far away.

It’s an appealingly nostalgic image, but don’t expect anything like that Friday at Cleveland Uncommon Sound Project‘s (CUSP) Torch Songs program.

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For 49 Years, Kahil El’Zabar’s Ethnic Heritage Ensemble Has Played–And Embodied–Black History

Ethnic Heritage Ensemble
Ethnic Heritage Ensemble: Corey Wilkes, Dr. Kahil El’Zabar, Alex Harding

One of the great consolations of hanging around the music business stage door for a long time comes when people who assume that you know things ask you questions. One of my favorites is: Which band have you seen the most times? I love this question because it gives me a chance to talk about Kahil El’Zabar’s magnificent Ethnic Heritage Ensemble, which is also my favorite band.

Now, for the first time since I moved to Cleveland in 2019, I get to talk about an upcoming concert of theirs that I will attend. It’s Wednesday, Feb. 1 at Convivium 33 Gallery, presented by the Cleveland Uncommon Sound Project and needless to say, if you’re reading this, you should go, too (full disclosure: I played a small part in making this concert happen). An Ethnics concert is never less than completely enjoyable and on any given night, it can be a transformative experience.

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Blowing In From Chicago: Tim Daisy and Ken Vandermark Friday at Convivium 33

Tim Daisy Ken Vandermark
Tim Daisy, Ken Vandermark

Being a creative musician in Chicago almost demands a willingness to play anything, everywhere with everybody. Percussionist Tim Daisy and saxophonist Ken Vandermark, who will appear at Convivium 33 Friday, Jan. 13, embody that imperative as well as anyone, having collaborated with hundreds of musicians, movement and visual artists on both sides of the Atlantic. Yet despite lengthy resumes that suggest an affinity with musical speed dating, the two are just as committed to long-term relationships, especially their own.

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