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Looking Backward and Forward At Once, Saxophonist Jim Snidero Returns to Bop Stop

Jim Snidero
photo by John Rogers

Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.

Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.

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Cabaret Crooner or Jazz Singer? Dane Vannatter Is A Man of Two Worlds

from left: Joe Hunter, Bryan Thomas, Dane Vannatter and Ricky Exton

The legendary Patti LaBelle has been on stages large and small since Dwight Eisenhower was in the White House. As a performer, she’s done it all and seen it all, but she couldn’t have expected what happened at her 2015 performance at the Ohio State Fair in 2015.

“She called a group of guys [on stage] as a thing in her show,” Dane Vannatter wrote me in an exchange yesterday. “She asks them to sing, they can’t, and the audience laughs when she says, ‘Well then dance!’”

Vannatter was one of those guys, but when he opened his mouth to sing, the great soul diva fell silent. She couldn’t have known that Vannatter had been on a few stages himself, and when she gathered herself to address her unexpected guest, all she could say was, “You better sing, fool! My God!”

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Blowing In From Chicago: Tim Daisy and Ken Vandermark Friday at Convivium 33

Tim Daisy Ken Vandermark
Tim Daisy, Ken Vandermark

Being a creative musician in Chicago almost demands a willingness to play anything, everywhere with everybody. Percussionist Tim Daisy and saxophonist Ken Vandermark, who will appear at Convivium 33 Friday, Jan. 13, embody that imperative as well as anyone, having collaborated with hundreds of musicians, movement and visual artists on both sides of the Atlantic. Yet despite lengthy resumes that suggest an affinity with musical speed dating, the two are just as committed to long-term relationships, especially their own.

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Bop Stop Rings In 2023 With Tim Mirth’s Night Terrors Band

Tim Mirth has been experimenting with guitars for a long time. “As a 10-year-old, I found my dad’s guitar, this Gretsch Corvette,” he remembered. “I would sneak it out after school, play with it, try to figure it out. One day my dad comes by, and I thought, I’m not going to get to play with this anymore, but he totally knew me. He showed me a couple of things and ever since I haven’t been able to put it down.”

Thirty years later, he still has the Gretsch. one of the 20 or so guitars in his arsenal. Mirth will select a couple of them to the concert by his Night Terrors band that will open Bop Stop’s 2023 schedule, Wednesday, Jan. 11.

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Tommy Lehman’s Perpetual Search Leads To BLU Jazz+ For An Evening Of ‘Uplift.’

When he was a student at the Hartt School of Music, trumpeter Tommy Lehman occasionally joined the legendary late-night jam sessions at Small’s jazz club in Manhattan. One night immersed in a solo with his eyes closed he opened his eyes for a moment and found himself face-to-face with the late trumpet player Roy Hargrove, who was sitting in the second row.

Remembering the solo, Lehman said with a laugh, “It sounded terrible,” adding, “I’ll always try my best though. Even if I’m sounding sad, I’m gonna give it everything I have.”

Back in his native northeast Ohio, Lehman is giving it everything he has these days, seemingly playing with everyone everywhere. His latest venture is a new recording, Uplift, which be available on Dec. 21 on Lehman’s Bandcamp page and which he’ll celebrate with a release show at BLU Jazz+ in Akron.

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