Despite the increasing numbers of creative improvising musicians who play it, the double bass in a solo context—on record or in performance–remains a comparatively uncommon sound.
Togishi (from left): Mike Sopko, Joe Tomino, Dan Wenninger
After the cultural extinction event of 2020, some lifeforms re-emerged sooner than others. You would expect the ones with the most funding to be among the first to return, though perhaps not at their previous strength. And you might imagine that the more DIY scenes, the ones for which precarity is an ongoing fact, would also survive.
The 1Way at the Go Factory series of free improvisation shows curated by saxophonist Dan Wenninger, is one of the survivors, though it’s more like a cicada than a hardy cockroach. It hasn’t been dormant for seven years; there were a few scattered comebacks last fall. When the series resumes March 28 at the Go Factory loft, with Togishi and the Folger/Bruce/Martinez Trio, it will mark what Wenninger hopes will be a second beginning, a 1Way 2.0.
What’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.
This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.
Drummer Anthony Taddeo finished his graduate degree from Youngstown State University in 2020, but he won’t hand in his final project until Friday night.
True, Le Tre Sorelle, the new CD by his band Alla Boara, wasn’t exactly a class assignment, and as capstone research projects go, this one is more joyous than the average academic paper. Yet the CD, which will be celebrated Friday at an album release party at Bop Stop, is the culmination of a long period of study, research, writing and interrogation into Taddeo’s Italian roots.
Right now, the northeast Ohio creative music scene is like the parent of a toddler walking barefoot in the dark trying to cross the room not knowing where the Legos might be. What will the size of audiences be like? What will they be willing to spend when inflation is eating away at buying power? How will ongoing health concerns play out?
For a multiday event at several venues, the peril increases. Still, if you’re looking for a music event that has bounce-back written all over it, Akron’s Rubber City Jazz and Blues Festivalhas to be the one.
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