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The billing of Sax Battle Cry, the pair of concerts that Nathan-Paul Davis and Johnny Cochran, Jr. will present this week, evokes the classic two-saxophone tussles of the past: Dexter Gordon and Wardell Grey, Eddie “Lockjaw” Davis and Johnny Griffin, the various cage matches that were a trademark of the Jazz At The Philharmonic road show. But don’t believe the hype. The meeting of Davis and Cochran is more friendly competition than mano á mano combat.
Comments closedI get a lot of music for my consideration, already more than 220 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.
The
title cut from Yuval Amihai‘s My 90s Summer (Fresh Sound Records) begins with the leader’s warm-toned guitar over dewdrop Rhodes and a head-nodding backbeat rhythm. Where have I heard this before?
I get a lot of music for my consideration, more than 460 new releases in 2020. Almost all of them are notable for something, and I’d like to give them their due. So, every week, more or less, I’ll offer hot takes on the releases of the preceding seven days.
If you’ve been wondering how the L.A. studio cats who have been replaced by digital one-man-bands and library music are passing their time, the not-so-short answer might be found in “Out On The Coast” (Basset Hound Music), a three-CD set by The David Angel Jazz Ensemble.
