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Tag: Dustin May

Countdown: Where To Go & What To Hear In NEO March 14-20

Jonah Parzen-Johnson
Jonah Parzen-Johnson, photocredit: Lisa Hagen Glynn

Friendly experiencers,

Have the hints of summer earlier this week stirred you to come out of hibernation? If so, you’ve picked a good week to do so with a variety of musical styles to choose from. Your sense of tradition will be sated by a reappraisal of a beloved musical chestnut while a sense of adventure will rewarded by a paint-peeling excursion to the outer reaches by a young saxophone sensation. Get ready for the ride and remember to tip your servers.

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Countdown: Where To Go & What To Hear In NEO, Nov. 16-22

Kenny Washington, Bill Charlap, Peter Washington
photocredit: Keith Major

I look at let’s call this as a sort of chamber of commerce for the local scene. It’s important work, especially given the general indifference of the local media to improvised music in the Black American tradition and it’s great fun for me to do, a gateway for this NEO neophyte into the thriving local scene. But two posts a week takes a lot of time to crank out and with holiday travel, my anniversary and listening to catch up with before the yearend polls are due, the next couple of weeks will concentrate on these Countdown previews of upcoming events. Fortunately, there’s a lot to talk about, including more new releases, the first big event at a significant new venue and more. Buckle up. It’s going to be an interesting ride.

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Sam Blakeslee Returns To Akron With Charts & ‘Flowers’

Sam Blakeslee
photocredit: Desmond White

In the midst of a recording session with his New York big band, Columbus-born, Brooklyn-based trombonist, composer and arranger Sam Blakeslee noticed an interesting dynamic among the players.

“On the first take everyone in the band was like, ‘Who are these people? Why are they playing like this, because it just sounds so different? Why haven’t I heard stuff like this before?’” Blakeslee’s answer: “Because it’s Cleveland.”

“These people,” saxophonists Chris Coles and Nathan-Paul Davis, and the cream of Northeast Ohio’s jazz community, will join Blakeslee on the stage of BLU Jazz+ this weekend for a homecoming so packed with music that it will take two nights to play it all.

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Saxophonist Ronell Regis Makes Things Happen With ‘Grenada To The World’

Ronell Regis

Granada is a Caribbean nation 100 miles off the coast of Venezuela with a population about that of Dayton’s. If Americans have heard of Grenada at all it’s probably in connection with Ronald Reagan’s Cold War saber-rattling invasion of the island in 1983.

That might change Sunday when Cleveland saxophonist Ronell Regis presents a world premiere performance of “Grenada to the World: The Suite” at Cleveland’s Bop Stop.

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New Composers Collective Lays Down the Law at Bop Stop

Third Law CollectiveWhat’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.

This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.

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