Like thousands of northeast Ohio students this week, the Hingetown Jazz Festival is headed back to school adding student ensembles from four area colleges and universities to the lineup of Saturday’s all-day, all-local free festival.
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For centuries composers as varied as Handel and Hancock, Elgar and Ellington have drawn inspiration from the majesty and power of the world’s great bodies of water. Stephan Crump has been surrounded by water for nearly his entire life, but the large-scale composition he will bring to the Cleveland Museum of Art on April 24, examines the aquatic from a very different point of view.
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If you are searching for a glimmer of light in this dark and ominous hour, consider this. We are living in a golden age of jazz piano. There are more interesting pianists playing in a wider spectrum of styles at a high level of artistry and technique than at any time in the music’s eleven-decades of existence.
And it gets better. Three such pianists, Orrin Evans, Simona Premazzi and Philip Golub, can be heard in Cleveland over the next eight days. Though they might not have the name recognition of a Herbie Hancock or Jon Batiste, all are singular stylists who encounter the jazz piano tradition in idiosyncratic and brilliantly original ways.
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For anyone looking to map the frontiers of what is possible on the trumpet, BOP STOP was the place to be last June*. There, with the Dan Weiss Quartet, Peter Evans laid out all the landmarks: Olympic-level feats of circular breathing, splatters of 16th notes (or were they 32nds?) in a register beyond the Kuiper Belt, even playing rhythms by placing the microphone in the bell of his instrument and blowing unpitched thuds.
It was eye-popping, yet it was all in a day’s work for Evans, who returns to the Hingetown club Thursday for a solo set in the final presentation of the 2025 season of concerts presented by New Ghosts.
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Growing up in Chicago with a father who played old-school rock and blues, saxophonist Anthony Bruno got an early immersion in the grind of the working musician.
“Whether it was in rehearsal spaces, bars, festivals, green rooms, recording rooms– that was just my life,” he said. “So when I would hang out and talk to other kids in school they’d be like, ‘What did you do this weekend?’ I’m like, ‘I was at this festival, then this rehearsal, and this thing,’ and they’re like, ‘What is that?’ I was like, ‘Oh! That’s not what every kid does all the time?’”
It’s what Bruno does all the time, and increasingly, in Cleveland where he will lead a high-powered quartet at BOP STOP Friday.