Skip to content

Tag: jazz CD

A Master Improvisor Launches A New Tour With A New Band At BOP STOP

Lily Glick Finnegan, Ken Vandermark, Beth McDonald
Lily Glick Finnegan, Ken Vandermark, Beth McDonald

In all manner of settings, from solo concerts to large group situations, multi-instrumentalist Ken Vandermark has proven his mettle as a fearless and resourceful improvisor. So when two-fifths of his new Edition 55 band were not available to tour, he added a new piece to the remaining players and rechristened the band Edition Redux.

But the story doesn’t end there. The new player, keyboardist Erez Dessel, couldn’t make the tour’s first gig, Vandermark did the math and made 3=2+1. Call it new math or even New Addition, but any way you look at it, Saturday’s New Ghosts concert at BOP STOP—one set by drummer Lily Glick Finnegan with tubist Beth McDonald and a solo set by Vandermark—adds up to an intriguing look at the ever-dynamic Chicago scene.

Leave a Comment

The Music Of John Coltrane Once Saved His Life. Now It’s Our Turn

Keith LaMar and Albert Marqués
Keith LaMar and Albert Marquès

Keith LaMar has said that listening to John Coltrane’s “A Love Supreme” helped save his life. Yet for all its power and magnificence, Coltrane’s music cannot literally save LaMar’s life, which is scheduled to end Nov. 16 when he is to be executed for murders he says he did not commit.

Even if music can’t bring justice for LaMar, it can help keep his case in the public eye and perhaps forestall his execution. That is the purpose behind two concerts this week by a project called Freedom First that has attracted some of New York’s finest musicians.

Leave a Comment

Magic In The Air: Marco Benevento Road-Dogs It Back To The Beachland

Marco Benevento
photo credit: Seth Olenick

Marco Benevento is a workaholic. The playful, keyboardist who gleefully straddles the worlds of jam-band euphoria, jazzy, improvisatory exploration and nerdy gadget geekery might not fit the image of the jittery, Type-A striver but just listen to the man himself.

“I’m a very productive person,” he said by phone last month from his home in Woodstock, New York and one listen to his latest release, Marco Benevento (Royal Potato Factory, 2022), proves his point. Benevento composed all the music and played all the instruments except for some occasional added percussion and the vocals, aside from cameos by his wife and children are all Benevento’s.

But as much as studio wonkery appeals to the 45-year-old New Jersey native (and more about that later), he’s a road dog at heart who will return to a favorite venue, the Beachland Ballroom and Tavern March 14 on a double bill with labelmates Mike Dillon and Punkadelic.

Leave a Comment

Bop Stop Rings In 2023 With Tim Mirth’s Night Terrors Band

Tim Mirth has been experimenting with guitars for a long time. “As a 10-year-old, I found my dad’s guitar, this Gretsch Corvette,” he remembered. “I would sneak it out after school, play with it, try to figure it out. One day my dad comes by, and I thought, I’m not going to get to play with this anymore, but he totally knew me. He showed me a couple of things and ever since I haven’t been able to put it down.”

Thirty years later, he still has the Gretsch. one of the 20 or so guitars in his arsenal. Mirth will select a couple of them to the concert by his Night Terrors band that will open Bop Stop’s 2023 schedule, Wednesday, Jan. 11.

Leave a Comment

Dan Weiss’ Trio Made One Of The Year’s Best Recordings. Hear Them At Bop Stop Sunday

(from left) Thomas Morgan, Jacob Sacks, Dan Weiss

Dan Weiss talks a lot like he plays the drums. When I spoke with him about his Sunday concert at Bop Stop, his answers to my interview questions were short. To the point. Nothing wasted. Next question?

Yet forward momentum, essential for any drummer, is just one part of his game. Color, an original voice as a composer and a keen ear for texture are in there. They’re all present on Dedication (Cygnus Records), the stunning new release by Weiss’ longstanding trio with pianist Jacob Sacks and bassist Thomas Morgan.

Given his many musical associations with artists as diverse as the saxophonists Jon Irabagon and Lee Konitz, pianist Sylvie Courvoisier and vocalist/multi-instrumentalist Jen Shyu, it’s kind of amazing that he’s only appeared in Cleveland twice. The trio played Bop Stop in November 2019, and 19 months earlier he was at the Hingetown club with saxophonist Chris Potter band.

Comments closed