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Why are these men smiling?
At the poker table a pair of eights is nothing to get excited about, but on the jazz calendar it’s a winning hand. And NEO is holding it this week thanks to a pair of concerts–both tied to upcoming recordings–featuring dynamic octets led by Stephen Philip Harvey and Bobby Selvaggio.
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In the circular economy of jazz, new recordings are supported by album release tours or shows and those performances in turn create a market for the recordings. Just how this works is on display this week as concerts by pianist Ben Tweedt and saxophonist Matthew Alec, two artists with ties to northeast Ohio, celebrate the releases of their latest recordings.
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Dan Weiss is a no-compromises guy. He doesn’t jog occasionally for his health; he trains hard and races. He turned an interest in South Asian music into a decades-long immersion with tabla master Samir Chatterjee. When I suggested to the drummer last week that he struck me as slightly obsessive, his response was unequivocal: “Yeah, yeah, yeah, totally. Totally!”
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The billing of Sax Battle Cry, the pair of concerts that Nathan-Paul Davis and Johnny Cochran, Jr. will present this week, evokes the classic two-saxophone tussles of the past: Dexter Gordon and Wardell Grey, Eddie “Lockjaw” Davis and Johnny Griffin, the various cage matches that were a trademark of the Jazz At The Philharmonic road show. But don’t believe the hype. The meeting of Davis and Cochran is more friendly competition than mano á mano combat.
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How many times have you heard this—or said it yourself—when leaving a great concert by a touring musician: Why can’t we get more shows like this here?
Kyle Knoke, a graphic designer and concert promoter found himself asking that question and decided to answer it by creating the Midwest Jazz Collective, a consortium of 13 clubs and presenting organizations that will bring Emmy-nominated trumpeter and vocalist Benny Benack III to BOP STOP March 25 and BLU Jazz+ the following night.
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