Making improvised music in the Black American tradition means fixing your gaze firmly on the future while honoring the innovators of the past. 2024, with the centenaries of drummer Max Roach and pianist Bud Powell, has been a good year to do that. Yet while those two lions of bebop were deservedly celebrated for the way they redefined the language of their instruments, trombone master J.J. Johnson’s contributions have received less recognition—until now.
Trombonist John Fedchock is determined to see that his distinguished predecessor gets his flowers, and he’s put his money where his mouthpiece is on a Midwest tour that will bring him to Akron’s BLU Jazz+ and BOP STOP in support of his new Summit Records release Justifiably J.J.
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