
“The Bad Plus,” Ben Ratliff wrote in the New York Times, “could be the group you use to turn your 17-year-old cousin on to jazz.” Twenty-two years and two lineup changes later, Ratliff’s observation might be more salient than ever.
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“The Bad Plus,” Ben Ratliff wrote in the New York Times, “could be the group you use to turn your 17-year-old cousin on to jazz.” Twenty-two years and two lineup changes later, Ratliff’s observation might be more salient than ever.
Comments closedVisit the website of Chris Pitsiokos (click on this name and you’ll get there) and you’ll see an image of a blue sky striped with contrails. The saxophonist is no conspiracy theorist, but he is a roaddog, logging 92 shows in 2024. He’s off to a strong start in 2025, too, with a tour that will bring him to the Little Rose Tavern for a duo gig with eruptive drummer Weasel Walter presented by New Ghosts.
Comments closedWhen Cleveland wants to greet the world, here’s what it says: “Hi. I’m Daniel Peck and welcome to Live at the BOP STOP.”
Comments closedFor something a little different today, let’s talk politics. Not electoral politics; we’ve all had enough of that. No, let’s talk musical politics, which can be just as divisive and irrational. Just ask Max Johnson. He plays bass in various jazz contexts, including a trio with saxophonist Neta Raanan and drummer Eliza Salem that makes stops at BLU Jazz+ and in Avon Lake this weekend. But he also plays and composes bluegrass and concert music. It could drive a gatekeeper mad.
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