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Tag: Jazz Journalists Association

Countdown: Where To Go & What To Hear In NEO April 18-25

Friendly experiencers,

A reaction to a COVID booster swamped my Tuesday preview (staying healthy is making me sick!) and a badly timed security certificate expiration wiped out my Wednesday. So to make up, it’s time for an expanded Thursday Countdown–not that I needed an excuse because the coming week is high-key loaded with notable jazz events. Touring artists and local luminaries alike await your appreciative ears and enthusiastic applause. So take a portion of that tax refund check (you DID get those done, right?) and head out to a club or concert hall near you and make the momentum happen.

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Another Gabe Pollack Moment–And You Can Share In It

Tomorrow evening, Nov. 30 at BOP STOP, I’ll have the honor of presenting the Jazz Journalists Association’s 2023 Cleveland Jazz Hero Award to Gabe Pollack. To borrow the title of a great Paul Motian song, it should’ve happened a long time ago, but scheduling conflicts and my own disorganization got in the way. Oh well, it’s still 2023, isn’t it?

Rather than make a new case for this honor, I’ll refer you to the JJA’s own commemoration of Gabe’s award and repost below an appreciation I published last August. Any similarity in the language is purely coincidental.

If you’re reading this, I hope you’ll come out tomorrow night and give Gabe his well-deserved flowers. Stop by my table and say hello if you think about it. Now here’s that piece:


Word reached me late yesterday that Gabe Pollack, longtime director of Bop Stop at the Music Settlement, will be leaving the Hingetown club to become director of performing arts at the Cleveland Museum of Art (you can read CMA’s announcement here, the Settlement’s here).

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Kurt Elling and Dan Bruce Turn Up The Musical Voltage This Week

Kurt Elling and SuperBlue at Cleveland Museum of Art

In his 30-odd years on the scene, Grammy-winning singer Kurt Elling has topped the Down Beat Critics Poll 13 times and has received the Jazz Journalists Association Male Singer of the Year award eight times. He’s done this while singing texts written by Theodore Roethke and Walt Whitman, a Monkees hit, one of Brahms’ Liebeslieder Waltzes. Whitney Balliett might have had Elling’s musical choices in mind when he wrote his famous characterization of jazz as being “the sound of surprise.”

Yet none of Elling’s neck-snapping musical eccentricities was as shocking as SuperBlue, which will come to Gartner Auditorium at the Cleveland Museum of Art Wednesday.

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A Great Week in Cleveland, Part 1: Ben Wendel and Joel Ross

Ben Wendel Credit Anouk van Kalmthout
photocredit Anouk van Kalmthout

When I moved to Cleveland in late 2019, I was eager to plunge full-time into a jazz scene that looked like New York’s to me. That notion might be laughable to longtime citizens of The Land, but from the jazz desert of Erie, Pennsylvania, that’s how Cleveland looked to me. Consider this ten-day period in Sept. 2019 when Bop Stop presented a cavalcade of stars that would make even the most hardened New York booker bow in respect and awe.

Even with stars in my eyes I knew that such intervals are few and far between. But every rule needs an exception as proof, and one has arrived this week where in the course of three nights, Cleveland will host concerts by the brilliant tenor saxophonist Ben Wendel, vibes wizard Joel Ross and the mesmerizing poet, community activist and truth-teller Moor Mother.

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