At this point, Dave Rempis, who will appear with drummer Tyler Damon at Saturday gig presented by New Ghosts, is a known quantity in Cleveland. By his own count, the Chicago multi-reedist said, “I must’ve played there 12 or 15 times. It’s often more than once a year. Oh man, the list goes on and on.”
Comments closed
Like many Black musicians, pianist, bandleader and theologian Julian Davis Reid paid close attention to poet and essayist Amiri Baraka’s 1963 book “Blues People: Negro Music in White America.” Reid was particularly taken with, as he told me, “this idea that Black music is a place where people in this country, Black and otherwise, rest. But at the same time, the music emerges from our sense of homelessness, of not feeling welcomed.”
Baraka was a man of action as well as of ideas, and Reid, a graduate of Yale Divinity School, took his words as a call that Reid answered in words and music with “The American Dream, the American Nightmare, and Black American Music,” which he will present Thursday at 7:30 p.m. in Reinberger Chamber Hall at Severance Music Center. as part of the Cleveland Orchestra’s weeklong Mandel Opera & Humanities Festival: The American Dream.
Leave a Comment
In the popular imagination, an evening of torch songs inevitably takes place in a smoky basement club where a singer in a velvet gown purrs songbook standards while perched on a stool as her cigarette smolders in a nearby ashtray. A half-filled rocks glass is not far away.
It’s an appealingly nostalgic image, but don’t expect anything like that Friday at Cleveland Uncommon Sound Project‘s (CUSP) Torch Songs program.
Leave a Comment
In all manner of settings, from solo concerts to large group situations, multi-instrumentalist Ken Vandermark has proven his mettle as a fearless and resourceful improvisor. So when two-fifths of his new Edition 55 band were not available to tour, he added a new piece to the remaining players and rechristened the band Edition Redux.
But the story doesn’t end there. The new player, keyboardist Erez Dessel, couldn’t make the tour’s first gig, Vandermark did the math and made 3=2+1. Call it new math or even New Addition, but any way you look at it, Saturday’s New Ghosts concert at BOP STOP—one set by drummer Lily Glick Finnegan with tubist Beth McDonald and a solo set by Vandermark—adds up to an intriguing look at the ever-dynamic Chicago scene.
Leave a Comment
Keith LaMar has said that listening to John Coltrane’s “A Love Supreme” helped save his life. Yet for all its power and magnificence, Coltrane’s music cannot literally save LaMar’s life, which is scheduled to end Nov. 16 when he is to be executed for murders he says he did not commit.
Even if music can’t bring justice for LaMar, it can help keep his case in the public eye and perhaps forestall his execution. That is the purpose behind two concerts this week by a project called Freedom First that has attracted some of New York’s finest musicians.
Leave a Comment