Review: “Departure No. 1” from John Escreet’s ‘the epicenter of your dreams,” All About Jazz, 3 July, 2024
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Before the comments section, before digital sampling, before AI large language models, there was after. As seen in titles, it signals the venerable practice of a poet responding or replying to, elaborating on, refuting or outright imitating the work of another poet. And it’s the organizing principle behind the music that multi-instrumentalist Aaron Irwin will bring to BOP STOP Sunday.
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Friendly experiencers,
Forget the headline of this post. The question this week is how to decide where to go & what to hear Friday night. Between an A-list Jamey Haddad quartet hit, a night of Roma jazz in beautiful CVNP and a powerhouse band led by saxophonist John Petrucelli, that’s a tall order. And that’s only if you won’t be at The Treelawn for Fred Hersch (see you there?). Still, this is a good problem to have and there is no wrong answer to this question. Whichever you choose, let me know what you heard and how you liked it. I’ll open the comments to this post, but please keep it clean and respectful.
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Silent, Listening, Fred Hersch’s affecting new recording, begins with a moody cover of “Star Crossed Lovers,” an Ellington/Strayhorn composition that was also on Hersch’s first trio recording as a leader, Horizon (Concord Jazz,1985). But don’t read too much into the programming. In music and in life, Hersch, who will play a solo concert at the Treelawn Music Hall on Friday, takes things a day at a time.
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Friendly experiencers,
If you want a wellness check of the local improvised music scene, start with checking the vitals. Return appearance by a touring artist: Check. Exciting new project from ace local players: Check. Free concert: Check and bonus points for the beloved Cleveland artists on the marquee. So things are looking good as northeast Ohio heads into summer and a stacked June calendar is just getting started.
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