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Tag: Kip Reed

For Jazz Fans And Players Alike, This Week Belongs To ‘The Cats’

Tradition might call this week the Dog Days of Summer, but for jazz fans around northeast Ohio, it’s time for The Cats. That’s the name that serious practitioners of the art of improvised music in the Black American tradition give to the ones who can really play.

By any measure, the musicians listed below fit that description and all are on bandstands around the area this week. Here’s what you can expect:


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Nathan-Paul’s Age of Aquarius Dawns At Edwin’s

Nathan-Paul Davis at RCB&J
Nathan-Paul Davis at Rubber City Jazz and Blues Festival

Nathan-Paul Davis makes this statement at the top of his Linktree page:

"I play energy, not notes!" Nathan-Paul calls his music SOUND MEDICINE.

Anyone who has heard Davis play will recognize that he is simply stating facts. No cap. No flex. The energy in a typical Nathan-Paul performance could power a dozen AI server farms for a month.

Thursday night finds the saxophonist in an unusual setting: playing a birthday gig, in this case, his own. The setting, Edwin’s Leadership & Restaurant Institute, is at once familiar, but different.

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At CMA, Guitarist Dan Bruce Makes A Mixtape While You Listen

(clockwise from top left) Jinari Kemet, Liz Bullock, Ray Flanagan, Gretchen Pleuss

Though hip-hop artists have made it a genre unto itself, the mixtape, a homemade cassette of songs, was the Spotify playlist of the 1980s and ‘90s. Mixtapes were playable, tradable declarations of musical allegiances and taste, a medium of exchange and sometimes winsome mash notes to crushes, delivering their message at 1 7/8 ips.

True, it’s hard to imagine jazz nerds assembling cassettes of favorite Maynard Ferguson cuts to give to romantic objects (harder still to imagine they had such objects). Still guitarist Dan Bruce liked the concept so much that he’s making a mixtape live and on stage by arranging songs performed by Liz Bullock, Ray Flanagan, Jinari Kemet and Gretchen Pleuss with an a-list jazz ensemble.

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All Is Sound In Ben Tweedt’s Tribute To Hermeto Pascoal

When the protean Brazilian producer/arranger/composer/instrumentalist Hermeto Pascoal died in September at age 89, obituary writers were challenged to find someone to compare him to (maybe Prince came closest). Hermeto, as he was invariably known, summed up his musical philosophy as tudo é som, “all is sound.” No wonder his nickname was o Bruxo, the Sorcerer.

As a student at the Cincinnati College-Conservatory of Music, pianist Ben Tweedt came under Hermeto’s spell, an enchantment that inspired an evening of the master’s compositions at BOP STOP Saturday evening.

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