New Ghosts - John Chacona writes

From The Motherlands To The Otherlands This Trio Is All Ears

Published 16 June, 2026 By John Chacona

Star Mountain, the debut recording of Otherlands Trio, didn’t make the list of my favorite recordings of 2025, but that’s only because I didn’t hear it until 2026. So when bassist Stephan Crump casually dropped in an interview that the trio would be coming to BOP STOP in June, I was all ears.

One Night In The Midwest: Stein/Smith/Shead Meet The Moment

Published 26 May, 2026 By John Chacona

The improvising trio of bass clarinetist Jason Stein, double bassist Damon Smith and drummer Adam Shead released a three-CD set last Friday of recordings from a December tour recorded at venues in Milwaukee, Indianapolis, Lafayette, Indiana, St. Louis and Bloomington, Illinois entitled Five Nights in the Midwest (Irritable Mystic Records). Sharp-eyed readers might notice the absence of a Midwestern city close to our hearts. But fear not. The trio rolls into Waterloo Arts Sunday for a New Ghosts concert that comes at the two-third point of an 18-concert tour.

It’s Three For The Keys At BOP STOP This Week

Published 25 March, 2026 By John Chacona

If you are searching for a glimmer of light in this dark and ominous hour, consider this. We are living in a golden age of jazz piano. There are more interesting pianists playing in a wider spectrum of styles at a high level of artistry and technique than at any time in the music’s eleven-decades of existence.

And it gets better. Three such pianists, Orrin Evans, Simona Premazzi and Philip Golub, can be heard in Cleveland over the next eight days. Though they might not have the name recognition of a Herbie Hancock or Jon Batiste, all are singular stylists who encounter the jazz piano tradition in idiosyncratic and brilliantly original ways.

Trumpeter Peter Evans Has One Foot In Several Musical Worlds

Published 10 December, 2025 By John Chacona

For anyone looking to map the frontiers of what is possible on the trumpet, BOP STOP was the place to be last June*. There, with the Dan Weiss Quartet, Peter Evans laid out all the landmarks: Olympic-level feats of circular breathing, splatters of 16^th notes (or were they 32nds?) in a register beyond the Kuiper Belt, even playing rhythms by placing the microphone in the bell of his instrument and blowing unpitched thuds.

It was eye-popping, yet it was all in a day’s work for Evans, who returns to the Hingetown club Thursday for a solo set in the final presentation of the 2025 season of concerts presented by New Ghosts.

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For Saxophonist Bruno Every Time On Stage Is Show Time

Published 2 December, 2025 By John Chacona

Growing up in Chicago with a father who played old-school rock and blues, saxophonist Anthony Bruno got an early immersion in the grind of the working musician.

“Whether it was in rehearsal spaces, bars, festivals, green rooms, recording rooms– that was just my life,” he said. “So when I would hang out and talk to other kids in school they’d be like, ‘What did you do this weekend?’ I’m like, ‘I was at this festival, then this rehearsal, and this thing,’ and they’re like, ‘What is that?’ I was like, ‘Oh! That’s not what every kid does all the time?’”

It’s what Bruno does all the time, and increasingly, in Cleveland where he will lead a high-powered quartet at BOP STOP Friday.