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Tag: New Ghosts

Local Musicians Add Flavor To the Sauce At Tri-C JazzFest

For fans of improvised music in the Black American tradition, the arrival of Tri-C JazzFest to Playhouse Square with a roster of artists including Herbie Hancock, Christian McBride and phenomenal shooting-star vocalist Samara Joy is hands down the biggest week of the year.

The touring artists whose shelves are heavy with Grammy Awards and other honors deservedly grab the clicks and dominate the buzz, but for dozens of musicians from throughout Northeast Ohio, JazzFest will be the biggest gig of their year. For some of them, it will be the biggest opportunity of their young careers.

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Javier Red’s Imagery Converter Illustrates Life Under The Umbrella

photocredit: Eugenio Resendiz

Pianist Javier Red was in his mid-40s and had been a working musician for years, both in his native Mexico and in the United States, when he arrived at a musical crossroads.

It happened at a workshop in 2015 with saxophonist and composer Steve Coleman at the University of Chicago. “I told Steve that I’ve got two options. I can deny everything that I saw there and keep my music flowing in a comfortable way, or I can accept that what Steve was saying is a completely new and different conception of music,” he remembered. “I said, ‘Man, what I’m losing? Nothing!’ And I decided to go that way.”

He’s still going that way on a musical and life journey that will bring Red and his Chicago quartet Imagery Converter to BOP STOP Thursday for a New Ghosts concert that will have meaning well beyond music.

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A Master Improvisor Launches A New Tour With A New Band At BOP STOP

Lily Glick Finnegan, Ken Vandermark, Beth McDonald
Lily Glick Finnegan, Ken Vandermark, Beth McDonald

In all manner of settings, from solo concerts to large group situations, multi-instrumentalist Ken Vandermark has proven his mettle as a fearless and resourceful improvisor. So when two-fifths of his new Edition 55 band were not available to tour, he added a new piece to the remaining players and rechristened the band Edition Redux.

But the story doesn’t end there. The new player, keyboardist Erez Dessel, couldn’t make the tour’s first gig, Vandermark did the math and made 3=2+1. Call it new math or even New Addition, but any way you look at it, Saturday’s New Ghosts concert at BOP STOP—one set by drummer Lily Glick Finnegan with tubist Beth McDonald and a solo set by Vandermark—adds up to an intriguing look at the ever-dynamic Chicago scene.

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Reunion: Steve Swell and the Frode Gjerstad Trio from Norway Reconvene at Beachland

Steve Swell
Photo by Žiga Koritnik

With its wide dynamic range, speech-like articulation and capacity for playing off-the-scale notes, the saxophone would seem to be the perfect instrument for creative improvised music (some people call it “free jazz” or “avant-garde jazz” or “fire music”). Fine, but anything the saxophone can do, the trombone can do better. So why don’t we hear more trombones in creative music—or in mainstream jazz, for that matter?

It’s a question that Steve Swell, the trombonist who will appear at the Beachland Ballroom Sunday with saxophonist Frode Gjerstad, Jon Rune Strøm on bass and drummer Paal Nilssen-Love, has pondered for a long time.

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