Now that Halloween is over and it’s safe to go out again, a cornucopia of jazz and jazz-adjacent events awaits NEO music fans. Grab what’s left of those fun-sized chocolate treats and whatever money remains after Bandcamp Friday (yup, it’s that time again, maybe for the last time), and head out to hear a bountiful fall harvest of sound. Where do you start? Start below.
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The response to last week’s Trading Fours post was so positive that I’ll make it a weekly feature on Thursdays. Think of it as your planning guide to a weekend of music and good times.
Fat Tuesday may be six months in the future, but it’s never too early to get your second line strut on, especially when New Orleans funk krewe The Rumble rolls into the Beachland Ballroom. Led by Second Chief Joseph Boudreaux, Jr. of the Golden Eagles (son of Big Chief Monk), this seven-man party machine has the pedigree to turn Collinwood into the Quarter, if only for a night. Crazy Marvin & the Blues Express opens.
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For years, Amina Figarova was such a constant presence on the Cleveland scene that you might have assumed that she lived here. So it came as a surprise when the pianist told me that her engagement Oct. 12 at Bop Stop will be her first at the Hingetown club.
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Everywhere you look, there are signs that the local jazz scene might again look like the one that went on leave in March, 2020. Reading the tea leaves, the return of the Tri-C Jazz Fest to Playhouse Square is huge tell. That tentpole event needs no introduction from me, just a hope that you’ll go and enjoy the great music on offer.
But there’s one more jazz event you should make room for this weekend. It’s the return to Cleveland’s Bop Stop of pianist Andy Milne and his Unison trio for a welcome if long-overdue tour to support his latest recording The reMission (you can read my review of that record here).
Leave a CommentI get a lot of music for my consideration, already more than 160 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio, I’ll offer hot takes on recent releases. Like these.
Anniversaries and theme celebrations generally make writers groan, but editors love them. At let’s call this, I wear both hats, and this week I’ll give my editor side the benefit of the doubt. Thus today’s Women’s History Month roundup of notable new releases by women. There’s more than a common editorial conceit behind the post; these four recordings are outstanding by any measure and make a strong case for the increasing and long overdue prominence of women who play, write for and lead bands at the forefront of improvised music in the Black American tradition.
Looking at the cover photo for JUMP (Greenleaf Music), you might be forgiven for mistaking tenor saxophonist Julieta Eugenio for a teenager, but she is no kid.
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