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Tag: northeast Ohio

At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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For Versatile Max Johnson, There’s A Play At Every Bass

Max Johnson
photocredit: Aidan Grant

For something a little different today, let’s talk politics. Not electoral politics; we’ve all had enough of that. No, let’s talk musical politics, which can be just as divisive and irrational. Just ask Max Johnson. He plays bass in various jazz contexts, including a trio with saxophonist Neta Raanan and drummer Eliza Salem that makes stops at BLU Jazz+ and in Avon Lake this weekend. But he also plays and composes bluegrass and concert music. It could drive a gatekeeper mad.

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Road To Nowhere: Nashville Duo Concurrence Tell A Somber History In Music

Paul Horton and Greg Bryant. photocredit: John Rogers

In 1968, Cleveland Mayor Carl Stokes took the unprecedented action of asking the Department of Housing and Urban Development to stop the construction of the so-called Clark Freeway. It was estimated that construction of the highway to connect I-271 with I-490 would sever existing neighborhoods and displace 20,000 Clevelanders, many of them Black residents of the East Side.

Stokes succeeded and the Clark Freeway was never built, but other cities were not so lucky. One of them was Nashville, where the construction of I-40 and the devastation it caused in the city’s Black neighborhoods became the inspiration for, Indivisible, a stirring musical presentation by the duo project Concurrence that will play at BOP STOP Sunday joined by Cleveland drummer Aaron Smith.

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Marta Sanchez’s Music Is A Partner Dance Of Head And Heart

Marta Sanchez
photocredit: Larisa Lopez

“My music is kind of intricate,” Marta Sanchez admitted. Then she quickly added, “It’s not that I’m not attracted towards intellectual music, but I’m attracted to beauty–in music and in art–but both at the same time.”

Listen to Sanchez’s bracing, elegant pianism as you can do Saturday at BOP STOP, and you’ll learn that intellectual rigor wrapped in beauty are magnetically attracted to her, too.

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Can’t Stop, Won’t Stop! The Indispensable BOP STOP Celebrates Ten Years

Alla Boara records at BOP STOP in 2023, photocredit: Jackson Clark

When you think of all the challenges that have faced independent music venues for the past ten years, industry consolidation, soaring rents and the rise of streaming entertainment—then add the COVID-19 shutdown–it’s a miracle that there are any places left to hear live music. The jazz scene, which has lived on the economic knife’s edge for decades, was hit hard. Yet a few places survived, and that’s something to celebrate.

Welcome to BOP STOP, the little engine that could and the beating heart of Cleveland’s scene. This week the club marks its tenth anniversary in its third incarnation as part of the Music Settlement in Hingetown. There it cultivates a training ground for young musicians, brings the world’s most notable artists to northeast Ohio’s and connects our most notable artists to the world. Hell yeah that’s worth celebrating.

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