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Dan Weiss is a no-compromises guy. He doesn’t jog occasionally for his health; he trains hard and races. He turned an interest in South Asian music into a decades-long immersion with tabla master Samir Chatterjee. When I suggested to the drummer last week that he struck me as slightly obsessive, his response was unequivocal: “Yeah, yeah, yeah, totally. Totally!”
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The billing of Sax Battle Cry, the pair of concerts that Nathan-Paul Davis and Johnny Cochran, Jr. will present this week, evokes the classic two-saxophone tussles of the past: Dexter Gordon and Wardell Grey, Eddie “Lockjaw” Davis and Johnny Griffin, the various cage matches that were a trademark of the Jazz At The Philharmonic road show. But don’t believe the hype. The meeting of Davis and Cochran is more friendly competition than mano á mano combat.
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Friendly experiencers,
Forget the headline of this post. The question this week is how to decide where to go & what to hear Friday night. Between an A-list Jamey Haddad quartet hit, a night of Roma jazz in beautiful CVNP and a powerhouse band led by saxophonist John Petrucelli, that’s a tall order. And that’s only if you won’t be at The Treelawn for Fred Hersch (see you there?). Still, this is a good problem to have and there is no wrong answer to this question. Whichever you choose, let me know what you heard and how you liked it. I’ll open the comments to this post, but please keep it clean and respectful.
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With the outdoor concert and festival season coming to a close, jazz and creative music returns to the small rooms where the music was born. This week’s most compelling shows all feature Northeast Ohio musicians, proving that football and clambakes aren’t the only autumn traditions to honor around here.
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Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.
Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.
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