There’s no point in burying the lede: if you’re a jazz fan living in Northeast Ohio, Tri-C JazzFest is a circle-the date event. And now it’s here.
Comments closedTag: Playhouse Square
For fans of improvised music in the Black American tradition, the arrival of Tri-C JazzFest to Playhouse Square with a roster of artists including Herbie Hancock, Christian McBride and phenomenal shooting-star vocalist Samara Joy is hands down the biggest week of the year.
The touring artists whose shelves are heavy with Grammy Awards and other honors deservedly grab the clicks and dominate the buzz, but for dozens of musicians from throughout Northeast Ohio, JazzFest will be the biggest gig of their year. For some of them, it will be the biggest opportunity of their young careers.
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Dan Weiss talks a lot like he plays the drums. When I spoke with him about his Sunday concert at Bop Stop, his answers to my interview questions were short. To the point. Nothing wasted. Next question?
Yet forward momentum, essential for any drummer, is just one part of his game. Color, an original voice as a composer and a keen ear for texture are in there. They’re all present on Dedication (Cygnus Records), the stunning new release by Weiss’ longstanding trio with pianist Jacob Sacks and bassist Thomas Morgan.
Given his many musical associations with artists as diverse as the saxophonists Jon Irabagon and Lee Konitz, pianist Sylvie Courvoisier and vocalist/multi-instrumentalist Jen Shyu, it’s kind of amazing that he’s only appeared in Cleveland twice. The trio played Bop Stop in November 2019, and 19 months earlier he was at the Hingetown club with saxophonist Chris Potter band.
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Barbara Knight doesn’t consider herself a jazz singer, though you wouldn’t know it from the swinging, rhythmically alert performances she’s lavished on northeast Ohio audiences through the years. But hear her out.
“I’ve always called myself a big band singer, rather than a jazz singer,” she said by phone from her home in nearby western Pennsylvania. “If you listen to me, you’ll hear that I am more traditional with my presentation of songs. I’m not using vocal pyrotechnics to do all kinds of crazy things with the melody. I think the people that I sing for are more interested in hearing the melody.”
When Knight and her quintet, John Orsini (saxophones), Phil Lantry (keyboards), Tim Powell (bass) and Glenn Schaft (drums) take the stage at Cain Park for a free concert Sunday, Aug. 14 at 1 p.m., you will certainly hear the melody, but you’ll also hear the wisdom of a singer with hundreds of songs in her repertoire and decades of exploration into their subtleties.
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Everywhere you look, there are signs that the local jazz scene might again look like the one that went on leave in March, 2020. Reading the tea leaves, the return of the Tri-C Jazz Fest to Playhouse Square is huge tell. That tentpole event needs no introduction from me, just a hope that you’ll go and enjoy the great music on offer.
But there’s one more jazz event you should make room for this weekend. It’s the return to Cleveland’s Bop Stop of pianist Andy Milne and his Unison trio for a welcome if long-overdue tour to support his latest recording The reMission (you can read my review of that record here).
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