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Tag: Theron Brown

Chris Coles’ Quest Continues With “Love Deamon Song Cycle”

Published 13 October, 2026 By John Chacona

One of the most quoted lines from Naruto, the Japanese anime epic, is “Hard work is worthless for those that don’t believe in themselves.” Cleveland-born, Akron saxophonist and educator Chris Coles is such a “Naruto” fan that he wrote an album-length work, Love Deamon Song Cycle, released last Friday on Hidden Cinema Records, about it.

But when he takes the stage at BOP STOP Saturday with his Gleam ensemble, he’ll do more than just play music inspired by the Japanese anime epic, he’ll embody everything that quote represents.

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At Rubber City Jazz & Blues Fest, A Big Night Of Big Bands

Published 8 September, 2026 By John Chacona
The Sam Blakeslee Large Group at BLU Jazz+
The Sam Blakeslee Large Group at BLU Jazz+

The 2026 Rubber City Jazz & Blues Festival, which begins Thursday, is big: three days, five venues and 18 events. It has a big-name headliner, too in contemporary jazz master Gerald Albright who will top a double bill with Althea René at Lock 3 on Saturday, Sept. 12. But the biggest noise of the festival presented by Open Tone Music might be the one that a pair of big—or biggish—bands will make in the normally hushed confines of Akron’s Main Library.

The bands are under the leadership of trombonist and composer Sam Blakeslee, who will present music from his Large Group’s recording, New Blood, which will be released Sept. 25 on BJU Records, and Chris Coles, who has convened an 11-piece orchestra to play “The Way of The Sly Man,” a multi-part work composed by the late bassist and educator Dave Morgan.

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Get Overjoyed. UA JazzWeek ’26 In Akron Is Back

Published 13 April, 2026 By John Chacona
UA Jazz Week Banner 2026

Overjoyed wasn’t the first choice for the theme of this year’s University of Akron Jazz Week ’26 that begins today. “At first we said gratitude, but there was something about it that wasn’t as killing,” said Chris Coles, who curates the four-day celebration and festival with his fellow UA faculty member and frequent musical collaborator Theron Brown.

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Nathan-Paul’s Age of Aquarius Dawns At Edwin’s

Published 27 January, 2026 By John Chacona
Nathan-Paul Davis at RCB&J
Nathan-Paul Davis at Rubber City Jazz and Blues Festival

Nathan-Paul Davis makes this statement at the top of his Linktree page:

"I play energy, not notes!" Nathan-Paul calls his music SOUND MEDICINE.

Anyone who has heard Davis play will recognize that he is simply stating facts. No cap. No flex. The energy in a typical Nathan-Paul performance could power a dozen AI server farms for a month.

Thursday night finds the saxophonist in an unusual setting: playing a birthday gig, in this case, his own. The setting, Edwin’s Leadership & Restaurant Institute, is at once familiar, but different.

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