Review: Jamile and Vinicius Gomes: “Endangered Species” All About Jazz, 6 April, 2026
Comments closedTag: Wayne Shorter
If you are searching for a glimmer of light in this dark and ominous hour, consider this. We are living in a golden age of jazz piano. There are more interesting pianists playing in a wider spectrum of styles at a high level of artistry and technique than at any time in the music’s eleven-decades of existence.
And it gets better. Three such pianists, Orrin Evans, Simona Premazzi and Philip Golub, can be heard in Cleveland over the next eight days. Though they might not have the name recognition of a Herbie Hancock or Jon Batiste, all are singular stylists who encounter the jazz piano tradition in idiosyncratic and brilliantly original ways.
Leave a Comment
In the circular economy of jazz, new recordings are supported by album release tours or shows and those performances in turn create a market for the recordings. Just how this works is on display this week as concerts by pianist Ben Tweedt and saxophonist Matthew Alec, two artists with ties to northeast Ohio, celebrate the releases of their latest recordings.
Comments closed
Angelika Niescier is looking forward to her trio’s Thursday night concert at The Treelawn Social Club with an extra degree of anticipation. It’s not just that she gets to play with cellist Tomeka Reid and drummer Savannah Harris or that the gig is part of the New Ghosts presenting organization’s tenth anniversary. No, the cherry on top—or maybe we should say the sour cream—is the pierogies.
Comments closed
It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.
“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”
Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.
The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.
Comments closed