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Tag: Zaire Darden

In The Heart of CVNP, Happy Days Is Here For Jazz

Jazz is an unmistakably urban phenomenon.

New York’s 52nd St., c. 1946

Just saying the word summons images of a New York street teeming with swells in their snap-brim fedoras, cigarette rakishly dangling from their mouths with evening gown-clad women on their arms. A noir film come to life with the soundtrack of half a dozen bands beckoning from the doors of basement clubs. The last place you might expect to find jazz might be a place deep in the woods, maybe in the middle of a national park in the dead of winter.

Yet that is exactly where, on four nights between now and April, top-shelf jazz can be heard thanks to an innovative and welcome partnership between the Conservancy for Cuyahoga Valley National Park and the Rubber City Jazz and Blues Festival.

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A Big Week In NEO For Little Big Bands (And A Big Big Band)

Bobby Selvaggio and Stephen Philip Harvey

Why are these men smiling?

At the poker table a pair of eights is nothing to get excited about, but on the jazz calendar it’s a winning hand. And NEO is holding it this week thanks to a pair of concerts–both tied to upcoming recordings–featuring dynamic octets led by Stephen Philip Harvey and Bobby Selvaggio.

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Friendly Fire: Two Saxophones Lift A Battle Cry Of Respect

Nathan-Paul Davis and Johnny Cochran, Jr.

The billing of Sax Battle Cry, the pair of concerts that Nathan-Paul Davis and Johnny Cochran, Jr. will present this week, evokes the classic two-saxophone tussles of the past: Dexter Gordon and Wardell Grey, Eddie “Lockjaw” Davis and Johnny Griffin, the various cage matches that were a trademark of the Jazz At The Philharmonic road show. But don’t believe the hype. The meeting of Davis and Cochran is more friendly competition than mano á mano combat.

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Troy Roberts, A Saxophone Wizard From Oz, Lands at BOP STOP

Troy Roberts

I get a lot of records from publicists looking for a review, 788 last year. That’s way more than I can get to, but I try to check in on most of them. Last year I noticed that a lot of them had Troy Roberts on tenor saxophone, and even on records I didn’t care for–maybe especially those–I was drawn to his muscular sound. I missed his appearance last year with Pat Bianchi (a gig I previewed here), but I–and Cleveland—will get a second bite of the apple Sunday, Feb. 16 when the saxophonist returns to BOP STOP.

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