Listening to music has increasingly become a solitary, disembodied experience, these days. Yet an opposite if so far unequal reaction is rising: a new interest in music that serves a social purpose.
In the dim past, all music was social. It was used for celebration and worship, to lull children to sleep and to blunt the drudgery of hard, repetitive labor. The social music that Chris Dingman will bring to his solo concert at Cleveland’s Bop Stop on Thursday is similarly intentional yet with a somewhat different purpose: healing.
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