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The term “spiritual jazz” seems to be everywhere these days. It’s a label that has more value for marketers than for music fans, an empty coinage that’s more meme than meaningful. It might be easier to say what “spiritual jazz” is not, for instance the music made by pianist and composer Lynne Arriale, who comes to BOP STOP Saturday night.
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Review: “A Prayer” from Roxana Amed‘s ‘Becoming Human,’ All About Jazz, 19 May, 2024
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Friendly experiencers,
IMAGINE A WORLD . . . where Terence Blanchard at Severance Hall and a significant album release and anniversary are in the roundup column instead of the Tuesday feature slot.
If you heard a portentous announcer voice in your head as you read that, well, it’s that kind of Met Gala of a blockbuster week on the NEO scene. Throw in Cleveland Uncommon Sound Project’s not-jazz but jazz-adjacent Re:Sound festival and you have a week that will get your ears in shape for the peak summer music season.
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After my freelance music gig for a newspaper in Erie, Pennsylvania had vanished in 2020 and I had moved to Cleveland, I resolved to document the local jazz scene, one that was all but ignored by media outlets in northeast Ohio. Good people making interesting music is catnip to a culture reporter, and I found a subject right away.
This was Chris Coles whose “Nine Lives” project became the first post in my documentary project covering the local scene. That was November 2021. Now, 30 months later “Nine Lives” is back for a performance Friday at Tri-C. And just like a familiar melody that is transformed by a master improvisor, Coles’ magnum opus returns reimagined as a new work.
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Friendly experiencers,
It’s Thursday and the Countdown is back on its normal schedule. Order has been restored. The concert lineup was thinned a bit by the cancellation of the Christian Sands gig at The Treelawn, but just look at the variety of offerings below: a big band session with vocalist, hard-blowing sextet and a free improv legend. Who says the NEO scene is one-dimensional?
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