For more than a century Detroit’s factories have sent tens of millions of vehicles into the world. That’s remarkable, but so too is the city’s assembly line of great jazz pianists: Hank Jones, Barry Harris, Tommy Flanagan, Alice Coltrane and Geri Allen. Lesser-known, but equally polished are figures such as Terry Pollard, Johnny O’Neal, Bob Neloms and Kirk Lightsey. Add 69-year-old David Janeway, who will appear at BOP STOP on Friday with Robert Hurst and Billy Hart, to that distinguished list.
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Review: “Never Let Me Go” from Yotam Silberstein’s ‘Standards’ All About Jazz, 5 April, 2024
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Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.
Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.
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“It’s not what you know, it’s who you know” the familiar saying goes. True enough, but sometimes it’s not who you know, but who they that matters. Take rising vocalist Céline Iris who asked an all-time trumpet great, Dr. Eddie Henderson, to join her on the bandstand for a show Tuesday night at the Bop Stop.
Henderson was delighted to help his former Oberlin Conservatory student and convinced high-profile drummer Greg Bandy to join them. When Bandy had to bow out, the 81-year-old Henderson quickly stepped in with a more than suitable replacement.
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To the jazz fans of northeast Ohio, pianist Noah Haidu‘s September 28, 2020 appearance at Bop Stop was as important for its symbolism as for its musical interest. The concert, which premiered his “Doctone” CD, was the first in six months at the Hingetown club by touring national musicians. The message was, emphatically, music is back.
“That was really a great gig,” Haidu said Sunday from his home in New York. “That was actually the first time the three of us got on stage together, [drummer] Rudy Royston and [bassist] Eric Wheeler. We had a chance to record it and listen back. Yeah, it was a beautiful set.”
Fifty-nine weeks later, Haidu is back with a new trio of legendary bassist Buster Williams and drummer Carl Allen touring behind a new recording, “Slowly: Song For Keith Jarrett” (Sunnyside Records). It’s a record that was in the works at the time of his last Cleveland visit, though not exactly in the form that it eventually took.