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When the protean Brazilian producer/arranger/composer/instrumentalist Hermeto Pascoal died in September at age 89, obituary writers were challenged to find someone to compare him to (maybe Prince came closest). Hermeto, as he was invariably known, summed up his musical philosophy as tudo é som, “all is sound.” No wonder his nickname was o Bruxo, the Sorcerer.
As a student at the Cincinnati College-Conservatory of Music, pianist Ben Tweedt came under Hermeto’s spell, an enchantment that inspired an evening of the master’s compositions at BOP STOP Saturday evening.
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When you think of all the challenges that have faced independent music venues for the past ten years, industry consolidation, soaring rents and the rise of streaming entertainment—then add the COVID-19 shutdown–it’s a miracle that there are any places left to hear live music. The jazz scene, which has lived on the economic knife’s edge for decades, was hit hard. Yet a few places survived, and that’s something to celebrate.
Welcome to BOP STOP, the little engine that could and the beating heart of Cleveland’s scene. This week the club marks its tenth anniversary in its third incarnation as part of the Music Settlement in Hingetown. There it cultivates a training ground for young musicians, brings the world’s most notable artists to northeast Ohio’s and connects our most notable artists to the world. Hell yeah that’s worth celebrating.
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With the outdoor concert and festival season coming to a close, jazz and creative music returns to the small rooms where the music was born. This week’s most compelling shows all feature Northeast Ohio musicians, proving that football and clambakes aren’t the only autumn traditions to honor around here.
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