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You can’t blame bassist Noah Garabedian for hoping that the engagement Friday at Blu Jazz+ with his cooperative trio Ember will be a little less memorable than his last northeast Ohio visit. “Nobody was there,” Garabedian remembered.
It was Nov. 9, 2016, the day after the election.
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Philadelphian Nick Millevoi is best known for the post-industrial guitar grime of his Desertion Trio. Keyboard player Ron Stabinsky is one-third of the jazz arsonist squad Mostly Other People Do the Killing (MOPDtK), and every punk fan knows Derrick Bostrom as the founding drummer of the Meat Puppets. So it stands to reason that when the three come together as Grassy Sound Sept. 8 at Cleveland’s Bop Stop, they’ll be playing lounge music.
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Word reached me late yesterday that Gabe Pollack, longtime director of Bop Stop at the Music Settlement, will be leaving the Hingetown club to become director of performing arts at the Cleveland Museum of Art (you can read CMA’s announcement here, the Settlement’s here).
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Scott Robinson, who will appear Thursday and Saturday at Blu JAZZ+ in Akron, is the kind of artist who defies easy categorization—or any categorization at all. Still, if you want to get a handle on the man, the opening 105 seconds of his 2017 recording, Tenormore reveal a lot.
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“I hate that a big band is so . . . big,” saxophonist, composer and arranger Stephen Philip Harvey said with a chuckle. “It’s financially a problem, but I just really like big band music.”
Harvey likes it so much that he’s putting aside the financial, organizational and logistical challenges of touring with a big band to bring the Stephen Philip Harvey Jazz Orchestra (SPHJO) to Cleveland’s Bop Stop Thursday night to support the release two weeks ago of the band’s debut recording, Smash! (Next Level, 2022).
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