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Tag: Chris Coles

Play Like Where Your From: The University of Akron’s JazzFest Is Back

Published 5 April, 2023

For a long time, jazz education was an oral tradition. Students learned at the feet of their master or in the adjacent chair in a section of a big band, a lineage that you could witness as well as hear. These days, that formerly oral tradition has largely moved to the university or conservatory classroom but the professionalism of jazz education hasn’t totally done away with the notion of lineage.

Sean Jones
Sean Jones

This week offers vivid proof in the form of the University of Akron Jazz Week an event that brings together three UA alumni, two of whom, Theron Brown and Chris Coles, are now teaching at their alma mater, with internationally prominent trumpet player and Warren Ohio native Sean Jones.

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Magic In The Air: Marco Benevento Road-Dogs It Back To The Beachland

Published 7 March, 2023
Marco Benevento
photo credit: Seth Olenick

Marco Benevento is a workaholic. The playful, keyboardist who gleefully straddles the worlds of jam-band euphoria, jazzy, improvisatory exploration and nerdy gadget geekery might not fit the image of the jittery, Type-A striver but just listen to the man himself.

“I’m a very productive person,” he said by phone last month from his home in Woodstock, New York and one listen to his latest release, Marco Benevento (Royal Potato Factory, 2022), proves his point. Benevento composed all the music and played all the instruments except for some occasional added percussion and the vocals, aside from cameos by his wife and children are all Benevento’s.

But as much as studio wonkery appeals to the 45-year-old New Jersey native (and more about that later), he’s a road dog at heart who will return to a favorite venue, the Beachland Ballroom and Tavern March 14 on a double bill with labelmates Mike Dillon and Punkadelic.

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Saxophonist Ronell Regis Makes Things Happen With ‘Grenada To The World’

Published 23 February, 2023

Ronell Regis

Granada is a Caribbean nation 100 miles off the coast of Venezuela with a population about that of Dayton’s. If Americans have heard of Grenada at all it’s probably in connection with Ronald Reagan’s Cold War saber-rattling invasion of the island in 1983.

That might change Sunday when Cleveland saxophonist Ronell Regis presents a world premiere performance of “Grenada to the World: The Suite” at Cleveland’s Bop Stop.

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Looking Backward and Forward At Once, Saxophonist Jim Snidero Returns to Bop Stop

Published 14 February, 2023
Jim Snidero
photo by John Rogers

Saxophonist Jim Snidero was born in May, but a January birthdate would have provided an appropriate mythological backstory for his career. Like the two-faced god who gave the month its name, Snidero’s alto saxophone style looks forward and backward simultaneously.

Perhaps that is inevitable for the native of the Maryland suburbs who, at 65, has aged out of young-lion status but is a long way from being considered a wizened master. When he returns to the Bop Stop Saturday, Snidero will demonstrate how a mastery born of more than 40 years on the scene can be endlessly refreshed by restless musical curiosity.

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Cabaret Crooner or Jazz Singer? Dane Vannatter Is A Man of Two Worlds

Published 8 February, 2023
from left: Joe Hunter, Bryan Thomas, Dane Vannatter and Ricky Exton

The legendary Patti LaBelle has been on stages large and small since Dwight Eisenhower was in the White House. As a performer, she’s done it all and seen it all, but she couldn’t have expected what happened at her 2015 performance at the Ohio State Fair in 2015.

“She called a group of guys [on stage] as a thing in her show,” Dane Vannatter wrote me in an exchange yesterday. “She asks them to sing, they can’t, and the audience laughs when she says, ‘Well then dance!’”

Vannatter was one of those guys, but when he opened his mouth to sing, the great soul diva fell silent. She couldn’t have known that Vannatter had been on a few stages himself, and when she gathered herself to address her unexpected guest, all she could say was, “You better sing, fool! My God!”

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