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Tag: ears&eyes Records

Roll Call: January 14, 2022

I get a lot of music for my consideration, already more than 80 new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing live events in Northeast Ohio (like now when there aren’t too many of those), I’ll offer hot takes on the week’s new releases.

For a certain subset of the jazz fandom multiverse, a simple personnel list would be sufficient to arouse intense interest in John Hébert’s “Sounds of Love” (Sunnyside Records).

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Roll Call: 20 August, 2021

I get a lot of music for my consideration, more than 350 new releases in 2021. Almost all of them are notable for something, and I’d like to give them their due. So, every week, more or less, I’ll offer hot takes on the releases of the preceding seven days.

 

Pittsburgh-born bassist Leon Lee Dorsey has had a busy 2021. In January he released “Thank You Mr. Mabern,” a trio date  that may well be the late pianist Harold Mabern’s final session. Now comes “Freedom Jazz Dance” on Dorsey’s own Jazz Avenue 1 imprint.

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Roll Call: December 18, 2020

 

I get a lot of music for my consideration, more than 450 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So every week, I’ll offer hot takes on the releases of the preceding seven days. it’s a great writing exercise, and a lot of fun, too.

 

Alto saxophonist David Bixler recently emerged from a nearly decade-long recording silence following a family medical emergency. The title of his third post-return release, “Inside the Grief,” points to that experience, but it is a response to the horrific events of the year that is mercifully about to end. Like a lot of new recordings we’re likely to hear in 2021, “Inside the Grief” keeps the instrumental forces lean, but strong.

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Roll Call: December 11, 2020

 

I get a lot of music for my consideration, more than 450 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So every week, I’ll offer hot takes on the releases of the preceding seven days. it’s a great writing exercise, and a lot of fun, too.

Lately, a lot of music from Argentina has been finding it’s way to me via the ears&eyes Records label documenting what seems to be a vibrant improvised music scene. Earlier this year I reviewed Camilla Nebbia’s “Aura,” which fell just outside my ten favorite releases of 2020. Unilke Nebbia, whose name was completely new to me, pianist Leo Genovese, formerly the pianist in Esperanza Spalding’s band, is a known quantity.

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Roll Call: September 4, 2020

I get a lot of music for my consideration, more than 345 new releases so far this year. Almost all of them are notable for something, and I’d like to give them their due. So every week, I’ll do quick hits on the releases of the preceding seven days. it’s a great writing exercise, and a lot of fun, too.

Trumpeter Michael Sarian was born in Toronto to Armenian parents, grew up in Buenos Aires and has lived in New York since 2012. Yet his sound is closest to lyrical European players such as Enrico Rava, Tomasz Stanko and Kenny Wheeler.

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