Attention Swifties: ya girl is coming to Cleveland tonight. No, it’s not a previously unannounced stop on the Eras Tour, but you wouldn’t expect to find that kind of scoop in this column, would you? The Swift in question is Veronica, who kicks off a late-September clambake of jazz and adjacent musical revelry this week, one that could launch a million crossover dreams.
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When saxophonist Chris Speed began his slow-motion move from New York to Los Angeles in the middle of the last decade, he arrived just as Kamasi Washington and the Brainfeeder crowd were making LA the hot new jazz scene.
But Speed, who will appear Sunday at BOP STOP leading a trio of bassist Chris Tordini and drummer Dave King, was no bandwagon jumper. “I don’t really know the scene,” he averred. “I’m just kind of focused on what I’m doing, and when I’m in LA I’m just more of a homebody.”
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The response to last week’s Trading Fours post was so positive that I’ll make it a weekly feature on Thursdays. Think of it as your planning guide to a weekend of music and good times.
Fat Tuesday may be six months in the future, but it’s never too early to get your second line strut on, especially when New Orleans funk krewe The Rumble rolls into the Beachland Ballroom. Led by Second Chief Joseph Boudreaux, Jr. of the Golden Eagles (son of Big Chief Monk), this seven-man party machine has the pedigree to turn Collinwood into the Quarter, if only for a night. Crazy Marvin & the Blues Express opens.
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At Ari Hoenig’s website, you’ll find several items of apparel for sale. One of them is a t-shirt, black, of course, with a photo of Hoenig at the drum kit and the legend, “I’m not angry. That’s just my face!”
Intensity has been a hallmark of Hoenig’s career. For the New York Times in 2009, Ben Ratliff wrote, “Ari Hoenig has a slightly compulsive relationship with his drum set.” If you’ve seen him play, you’ll know what Ratliff meant, and if you haven’t, Hoenig’s weekend appearance at Bop Stop offers a fine introduction to his imaginative, highly interactive and yes, intensely committed style.
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Moto Perpetuo: Drummer Anthony Taddeo and Alla Boara
If drummer Anthony Taddeo were a piece of music, he’d be marked Allegro vivace con brio é giocoso. Here’s a bit more Italian to represent the bilingual Taddeo: preso dalla testa ai piedi, an idiom for being in constant motion from head to toe.
This weekend finds the in-demand sideman, dependable session musician and busy bandleader in the familiar setting of Hingetown’s Bop Stop with his Alla Boara project for a two-night engagement that will be recorded for audio and video release.
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