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Collective Action: A New Player Brings Benny Benack III Back to NEO

Published 18 March, 2025 By John Chacona
Benny Benack III

How many times have you heard this—or said it yourself—when leaving a great concert by a touring musician: Why can’t we get more shows like this here?

Kyle Knoke, a graphic designer and concert promoter found himself asking that question and decided to answer it by creating the Midwest Jazz Collective, a consortium of 13 clubs and presenting organizations that will bring  Emmy-nominated trumpeter and vocalist Benny Benack III  to BOP STOP March 25 and BLU Jazz+ the following night.

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Jim Snidero Returns To Cleveland On A Bird’s Feathers

Published 4 March, 2025 By John Chacona

Jim Snidero is about to hit the road, and he’s doing it the old-fashioned way—loading up the van and driving through the Midwest, playing night after night, city after city. And when he rolls into BOP STOP for a Friday, March 7 performance, he’ll bring the kind of musicians who turn heads: Peter Washington on bass and Jason Tiemann on drums.

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Troy Roberts, A Saxophone Wizard From Oz, Lands at BOP STOP

Published 11 February, 2025 By John Chacona
Troy Roberts

I get a lot of records from publicists looking for a review, 788 last year. That’s way more than I can get to, but I try to check in on most of them. Last year I noticed that a lot of them had Troy Roberts on tenor saxophone, and even on records I didn’t care for–maybe especially those–I was drawn to his muscular sound. I missed his appearance last year with Pat Bianchi (a gig I previewed here), but I–and Cleveland—will get a second bite of the apple Sunday, Feb. 16 when the saxophonist returns to BOP STOP.

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At BOP STOP: Grease and Grace Combine In Pat Bianchi’s Organ Trio

Published 12 November, 2024 By John Chacona
Pat Bianchi
photocredit: Aidan Grant

It was a simple question that I asked Pat Bianchi: Which is your dominant hand? His answer was more complex than I expected.

“I’m kind of both,” he said. “I write with my left hand. I can write with my right hand, too, so it kind of flips back and forth.”

Ambidexterity is a useful trait for a keyboard player to possess, and because Bianchi’s primary instrument is the Hammond B-3 organ, his feet are also involved.

The lack of a dominant hand is an interesting footnote for sure but it’s also a metaphor for the absence of a dominant aesthetic in Bianchi’s musical choices, something that makes his Friday appearance at BOP STOP an unusually compelling event.

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Can’t Stop, Won’t Stop! The Indispensable BOP STOP Celebrates Ten Years

Published 16 October, 2024 By John Chacona
Alla Boara records at BOP STOP in 2023, photocredit: Jackson Clark

When you think of all the challenges that have faced independent music venues for the past ten years, industry consolidation, soaring rents and the rise of streaming entertainment—then add the COVID-19 shutdown–it’s a miracle that there are any places left to hear live music. The jazz scene, which has lived on the economic knife’s edge for decades, was hit hard. Yet a few places survived, and that’s something to celebrate.

Welcome to BOP STOP, the little engine that could and the beating heart of Cleveland’s scene. This week the club marks its tenth anniversary in its third incarnation as part of the Music Settlement in Hingetown. There it cultivates a training ground for young musicians, brings the world’s most notable artists to northeast Ohio’s and connects our most notable artists to the world. Hell yeah that’s worth celebrating.

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