If you know Joshua Smith only through his exploratory work with the cooperative trio Birth, you might be surprised to learn, as I did, that the saxophonist has a thriving practice playing straightahead jazz. His Friday concert at BOP STOP won’t be a standards gig, but it will show a side of the 45-year-old saxophonist that might surprise some fans.
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Q: What is a Kneebody?
A: It’s the name of a band whose amalgam of jazz, funk, electronica, beats, progressive rock and unheard sounds is so unclassifiable that no known word could adequately describe it.
On paper, the band, which returns to BOP STOP for a Sunday performance, has the canonical jazz formation of trumpet, tenor saxophone, keyboards, bass and drums. On stage Kneebody explodes genre categories.
Comments closedIn the band photo on the tray card of Force Majeure, (Delmark Records, 2014) a CD by Paul Giallorenzo‘s GitGo band, the leader stands front and center wearing a t-shirt bearing the image of the Great Lakes. After 30 years in Chicago, does the Long Island native consider himself a Midwest musician?
Comments closedWhen you’re Orrin Evans, Grammy-nominated pianist, composer, bandleader, label executive, teacher, husband and dad, there’s only one thing that can slow you down, as I found out when I asked him how much time he had for our phone interview: tires. “I’m literally sitting here waiting for my tires,” he told me as air wrenches shuddered in the background. “So I got at least 30 to 40 minutes.” It wasn’t enough, such is the man’s skill as a raconteur.
Evans will turn 50 on Friday, and new tires notwithstanding, he’s not coasting into middle age. He’s doing what he loves most: making music, on a tour he calls “50 Shades of O” that motors into BOP STOP Wednesday night.
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