Skip to content

Tag: Paul Motian

Mat Maneri’s Quartet Seeks “. . . joy through sorrow, elation through fatigue”

Mat Maneri 4
photocredit: Mircea Albutiu

The improvising violist Mat Maneri recalled a conversation with his ECM Records producer, Steve Lake about the nature of music. “

“He thought it was all religious and I said, ‘No, it can’t be that.’ But there is something sacred about that stage and your relationship with the audience that once you’re onstage,” Maneri told me by phone last week.

There’s something sacred about the music that Maneri and his quartet will offer at BOP STOP Wednesday in a concert presented by Cleveland’s essential New Ghosts organization. Drawn from the violist’s latest recording Ash (Sunnyside Records, 2023), the music is a memory project that casts an oneiric spell that is simultaneously elusive and completely absorbing.

Comments closed

Bring Back The Time: Jamey Haddad Plays The Music Of Keith Jarrett

Keith Jarrett Jamey Haddad
photocredits: Rose Ann Colavito ECM Records/Jackson Clark

Sometime in the mid-70s, percussionist Jamey Haddad was in a studio in Beachwood for a session that concluded a bit early, so he asked engineer Dale Peters (yup, the James Gang’s bassist) to keep the tape rolling while he played drums along with a record that he was particularly taken with. That record was The Köln Concert, the 1975 ECM double album that became bestselling piano album and solo recording in jazz history, and arguably vaulted its creator, Keith Jarrett, to jazz stardom.

Two generations later, Haddad has lost none of his love for Jarrett’s music and this weekend he will play it with a quartet of guitarist Jonah Ferguson, bassist Kip Reed and saxophonist Bobby Selvaggio at four venues in Northeast Ohio and Pittsburgh.

Comments closed

Joe Lovano’s Hometown Band Offers A Hero’s Welcome

Joe Lovano

If there were a Mount Rushmore of Cleveland jazz, maybe on the bluff overlooking the West Flats, who would be on it? Albert Ayler and Tadd Dameron for sure, and maybe Eddie Baccus, too. Joe Lovano is still very much with us, but it’s not too soon to reserve a place for him up there, too.

Lovano’s career accomplishments, including his tenure with Bill Frisell in Paul Motian’s enormously influential trio, loom so large that it’s easy to forget that the saxophonist’s first big gig was with the Woody Herman Orchestra.

Trombonist Scott Garlock, the executive director of the Cleveland Jazz Orchestra with whom Lovano will play two concerts this weekend, remembers.

Leave a Comment

Roll Call, August 19: Kyle Kidd, Russ Lossing, Pablo Moser and Nicolás Ojeda

I get a lot of music for my consideration, more than 430 (!) new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing events in northeast Ohio or profiling regional musicians, I’ll offer hot takes on recent releases.

When I moved to Cleveland in late 2019, one of the bands I most wanted to hear was the Afrofuturist collective Mourning [A] BLKstar. You can probably guess why that remains on my to-do list nearly three years and several COVID subvariants later, but it’s taken on new urgency with the release of Soothsayer  (American Dreams Records), the spellbinding solo debut of M[A]B vocalist Kyle Kidd (all pronouns).

Leave a Comment

Mostly Other People Do the Killing Finds the Laughter in “Disasters” At Bop Stop

 

Mostly Other People Do the Killing
from left: Moppa Elliot, Ron Stabinsky and Kevin Shea of Mostly Other People Do the Killing

If you can’t figure out why the song titles at tomorrow night’s Bop Stop concert by Mostly Other People Do the Killing might provoke laughter among some audience members, don’t worry. They’re just Pennsylvanians who are in on the joke.

Comments closed