Attention Swifties: ya girl is coming to Cleveland tonight. No, it’s not a previously unannounced stop on the Eras Tour, but you wouldn’t expect to find that kind of scoop in this column, would you? The Swift in question is Veronica, who kicks off a late-September clambake of jazz and adjacent musical revelry this week, one that could launch a million crossover dreams.
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Todd Marcus is the sort of guy who likes to walk an unconventional path. That path will bring him to BOP STOP on Wednesday with a unique quintet that features clarinetist Virginia MacDonald and Marcus’ bass clarinet on the frontline.
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What’s the second-most exciting day in a composer’s life? The day of the first performance of a new piece, of course. So, what’s the most exciting day? The day of the second performance. World premieres are exciting, but many compositions are heard once and then disappear. A second performance confers a bit of staying power.
This is especially true in the concert music world, but composers of creative music in the Black American tradition face many of the same challenges in bringing their work to the stage. Enter The Third Law Collective, a gathering of local composer/players whose project to present and support new composition in northeast Ohio gets underway Jan. 26 at Bop Stop.
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Tim Mirth has been experimenting with guitars for a long time. “As a 10-year-old, I found my dad’s guitar, this Gretsch Corvette,” he remembered. “I would sneak it out after school, play with it, try to figure it out. One day my dad comes by, and I thought, I’m not going to get to play with this anymore, but he totally knew me. He showed me a couple of things and ever since I haven’t been able to put it down.”
Thirty years later, he still has the Gretsch. one of the 20 or so guitars in his arsenal. Mirth will select a couple of them to the concert by his Night Terrors band that will open Bop Stop’s 2023 schedule, Wednesday, Jan. 11.
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