Veer: A Conversation with Sarah Bernstein PostGenre, 28 August, 2022
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Word reached me late yesterday that Gabe Pollack, longtime director of Bop Stop at the Music Settlement, will be leaving the Hingetown club to become director of performing arts at the Cleveland Museum of Art (you can read CMA’s announcement here, the Settlement’s here).
Leave a CommentI get a lot of music for my consideration, more than 430 (!) new releases in 2022. Almost all of them are notable for something, and I’d like to give them their due. So, when I’m not previewing events in northeast Ohio or profiling regional musicians, I’ll offer hot takes on recent releases.
When I moved to Cleveland in late 2019, one of the bands I most wanted to hear was the Afrofuturist collective Mourning [A] BLKstar. You can probably guess why that remains on my to-do list nearly three years and several COVID subvariants later, but it’s taken on new urgency with the release of Soothsayer (American Dreams Records), the spellbinding solo debut of M[A]B vocalist Kyle Kidd (all pronouns).
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Barbara Knight doesn’t consider herself a jazz singer, though you wouldn’t know it from the swinging, rhythmically alert performances she’s lavished on northeast Ohio audiences through the years. But hear her out.
“I’ve always called myself a big band singer, rather than a jazz singer,” she said by phone from her home in nearby western Pennsylvania. “If you listen to me, you’ll hear that I am more traditional with my presentation of songs. I’m not using vocal pyrotechnics to do all kinds of crazy things with the melody. I think the people that I sing for are more interested in hearing the melody.”
When Knight and her quintet, John Orsini (saxophones), Phil Lantry (keyboards), Tim Powell (bass) and Glenn Schaft (drums) take the stage at Cain Park for a free concert Sunday, Aug. 14 at 1 p.m., you will certainly hear the melody, but you’ll also hear the wisdom of a singer with hundreds of songs in her repertoire and decades of exploration into their subtleties.
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If your idea of a library is a place of hushed reverence, by all means stay away from the Downtown Branch of the Cleveland Public Library tomorrow afternoon where silence will be in short supply thanks to pianist Theron Brown and his trio of Jordan McBride on bass and drummer Zaire Darden. Reverence, on the other hand, will be abundant since these three players are among northeast Ohio’s most persuasive advocates of improvised music in the Black American tradition.
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