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Tag: Roy Hargrove

Tommy Lehman’s Perpetual Search Leads To BLU Jazz+ For An Evening Of ‘Uplift.’

When he was a student at the Hartt School of Music, trumpeter Tommy Lehman occasionally joined the legendary late-night jam sessions at Small’s jazz club in Manhattan. One night immersed in a solo with his eyes closed he opened his eyes for a moment and found himself face-to-face with the late trumpet player Roy Hargrove, who was sitting in the second row.

Remembering the solo, Lehman said with a laugh, “It sounded terrible,” adding, “I’ll always try my best though. Even if I’m sounding sad, I’m gonna give it everything I have.”

Back in his native northeast Ohio, Lehman is giving it everything he has these days, seemingly playing with everyone everywhere. His latest venture is a new recording, Uplift, which be available on Dec. 21 on Lehman’s Bandcamp page and which he’ll celebrate with a release show at BLU Jazz+ in Akron.

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Can We Talk? Gerald Clayton Comes to Bop Stop for Two Conversations on Improvisation

 

For generations, the jazz business has spent a lot of time and money looking for ways to grow the genre’s dedicated but comparatively small audience. Pianist Gerald Clayton has some advice for them: Ain’t nothing to it but to do it.

“That applies to how to approach playing the music, learning how to play the music, and also learning how to listen to it,” the 38-year-old Clayton said in a phone interview Tuesday. “If we just have folks listening to this music over and over and over, I think the process will come pretty naturally and take care of itself, but I think there’s nothing wrong with having a bit of a liaison, a tour guide pointing out some things to listen for.”

On June 1 and 2 that tour departs from Bop Stop sailing under the flag of Piano Cleveland’s Listening Series with Clayton as your guide.

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The Jazz Gallery All-Stars Finally Land in Cleveland for a March 6 Concert

Back in the 1980s, listings of events in The New Yorker’s Goings On About Town section were introduced with this charmingly worded caveat: Musicians and night-club proprietors live complicated lives that are subject to last-minute change; it is therefore always advisable to call ahead.

For presenters and musicians who ply their trades during winter on the Great Lakes, that advice goes double, especially when high winds and more than a foot of snow arrived to slam the door on the Feb. 3 concert by the Jazz Gallery All-Stars at Cleveland’s Tri-C Auditorium. Yet when Tri-C JazzFest director Terri Pontremoli canceled that show, it wasn’t a double bar, but only a fermata.

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Previewing the Noah Haidu Trio at Bop Stop, Sept, 28

The tribute record has a long history in the music business.  Like a Hollywood franchise film or a celebrity-branded product, tribute records work best when they yoke an unfamiliar to the powerful engine of what is known, loved and pre-sold.

By that definition, maybe pianist Noah Haidu’s new Sunnyside Records CD, “Doctone,” which he will premiere at Cleveland’s Bop Stop on September 28, is not a tribute record at all. Haidu’s CD and the book and documentary film that will accompany it, are dedicated to the late pianist Kenny Kirkland, a name that might be unfamiliar to all but the geekiest jazz fans. Mention him to jazz insiders, though, and they will describe him as a genius and a monster player.

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