

Hoffman lived in a home that once belonged to Rex Brasher, a self-taught artist who painted every bird species in North America from life. Brasher was both prolific and meticulous. Not satisfied with the color printing technology available in the 1930s, Brasher insisted on painting by hand the 88,200 color illustrations for 100 sets of his encyclopedic,12-volume “Birds and Trees of North America.”

Wandering the 116-acre estate, Hoffman was moved to create what he called in notes for the recording, “not a portrait, but an echo—of a person, a place, and a way of seeing the world—” a way of seeing that in its specificity, generosity and close observation, mirrored Hoffman’s own.
The compositions offer resonances of the places where the painter worked, the birds that were the subject of the more than 1,200 watercolors he created, and touching portraits of Brasher’s beloved wife Marie and his dog Pal. It’s an extraordinarily intimate evocation of a man who died some 18 years before Hoffman, who turned 48 last Friday, was born in Chicago.
Hoffman has impressive credits in American vernacular music and with bands such as Iron & Wine, but it was his association with fellow Chicagoan Henry Threadgill’s Zooid ensemble that brought the cellist to the attention of The Treelawn’s Eric Hanson.
Christopher Hoffman: REX, July 1, The Treelawn Social Club, 15335 Waterloo Rd., Cleveland. Tickets $12, available here.
REX is available from Bandcamp at this link.
For the most complete listing of jazz and jazz-adjacent events., look to Jim Szabo’s essential, weekly Northeast Ohio jazz calendar.
